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[12] Main series[edit] No. Original release date Original ISBN English release date English ISBN 1 December 20, 2018[8]978-4-04-073023-3May 17, 2022[13]978-1-97-533393-5 2 April 20, 2019[14]978-4-04-073024-0April 18, 2023[15]978-1-97-533395-9 3 August 20, 2019[16]978-4-04-073304-3August 22, 2023[17]978-1-97-533397-3 4 December 20, 2019[18]978-4-04-073305-0December 12, 2023[19]978-1-97-533399-7 5 April 17, 2020[20]978-4-04-073632-7June 18, 2024[21]978-1-97-533401-7 6 August 20, 2020[22]978-4-04-073633-4—— 7 December 19, 2020[23]978-4-04-073917-5—— 8 May 20, 2021[24]978-4-04-073918-2—— 9 October 20, 2021[25]978-4-04-074248-9—— 10 March 19, 2022[26]978-4-04-074249-6—— 11 August 20, 2022[27]978-4-04-074576-3—— 12 December 20, 2022[28]978-4-04-074577-0—— 13 March 17, 2023[29]978-4-04-074920-4—— 14 June 20, 2023[30]978-4-04-075016-3—— 15 February 20, 2024[9]978-4-04-075300-3—— Spin-off[edit] No. Release date ISBN 1 December 20, 2022[11]978-4-04-074769-9 2 March 17, 2023[31]978-4-04-074921-1 3 September 20, 2023[32]978-4-04-075055-2 4 January 19, 2024[12]978-4-04-075301-0 Manga[edit] A manga adaptation illustrated by Kazuomi Minatogawa began serialization on ASCII Media Works' Dengeki PlayStation Comic Web website on December 13, 2019. [33] As of August 2023, five tankōbon volumes have been released. [34] Yen Press has also licensed the manga in English. [35] A manga adaptation of the spin-off series Girls Side, illustrated by Miinosuke Seo, will begin serialization on the KadoComi and Nico Nico Manga websites in Q2 2024. [36] Main series[edit] No. Original release date Original ISBN English release date English ISBN 1 August 26, 2020[37]978-4-04-913364-6May 24, 2022[35]978-1-97-533391-1 2 May 27, 2021[38]978-4-04-913819-1January 17, 2023[39]978-1-97-534288-3 3 March 10, 2022[40]978-4-04-914299-0April 18, 2023[41]978-1-97-535275-2 4 December 26, 2022[42]978-4-04-914778-0December 12, 2023[43]978-1-97-537656-7 5 August 25, 2023[34]978-4-04-915225-8August 20, 2024[44]978-1-97-539282-6 Anime[edit] In August 2022, it was announced the novels would be receiving an anime television series adaptation. [1] The series is produced by TMS Entertainment and animated by Millepensee, with Shingo Tanabe directing, Shin Itagaki serving as chief director and supervising the scripts, Hiromi Kimura adapting Rein Kuwashima's character designs for animation and serving as chief animation director, and Akiyuki Tateyama composing the music. [4][5] It aired from April 7 to June 30, 2023, on Tokyo MX and other networks. [c] The opening theme song is "Gyakuten Geki" (逆転劇, "Turnabout Drama") by Tsukuyomi, while the ending theme song is "Hachimitsu" (ハチミツ, "Honey") by Shikao Suga.

^ Hodgkins, Crystalyn (December 17, 2023). "Wit Studio Produces The One Piece Anime Series Remake for Netflix". Anime News Network. Archived from the original on December 17, 2023. Retrieved December 17, 2023. ^ a b "One Piece Movie 10 tentative information".

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Imaging bringing home a joystick controller that was a foot wide, 8 inches across, and easily weighed 4 pounds. That's what came with the NeoGeo AES in 1991. This type of arcade-at-home power carried a lofty price tag. Early adopters shelled out $599 for the console, two joystick controllers, and a pack-in game (either Baseball Stars or NAM-1975). Thankfully, within a few months of the system's introduction in North America, SNK lowered the cost of this package to $399 and added Magician Lord to the list of pack-in options. Additional games cost $200 and up, each. The NeoGeo certainly wasn't a cheap hobby. For anyone who could afford it, though, this was the Cadillac of video game systems. Each joystick controller was a full 2 1/2 inches tall, measured 11 inches long by 8 inches across, and contained the same four-button layout as the arcade MVS cabinet. When you held one of these monsters in your hand, you knew you were playing with quality. Megabits was the buzzword back in the early '90s. Instead, this review will focus more so on the myriad of reasons why this show doesn’t even work in an entertaining sense.
First and foremost, it’s the animation. For some surreal reason, some people actually think the animation in this show is good. The characters are drawn decently and the food looks realistic enough. But most importantly, the actual animation of the football? Really? For the people complaining about the work of the CG in another popular series that aired the same season that I just so happen to adore–You should be up in arms here with knives and pitchforks screaming “Sic ‘em!”; it’s hideous. But the biggest and most heinous animation problem are the still frames filled with exposition that completely ruin the flow of each play. Matches are shown in these constant close ups of the characters slowly gliding across your screen as you hear the play happening in their head. But the play itself is never actually explicitly shown. It's reminiscent of those imovie projects you had to do for middle school where you couldn’t quite figure out how to get the images to stop moving with the ken burns effect as you try your best to match your squeaky dialogue with the 4 second image overlay. It’s an embarrassing production. Football is dynamic and exciting at heart, especially in attacking play.