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Characters[edit] The Cage User[edit] Aya Rindo (輪堂 鴉夜, Rindō Aya) Voiced by: Tomoyo Kurosawa[2] A young Heian era woman and a yōkai, who is beheaded by an unknown half-demon assailant from Britain and has her headless
body taken away. Since she is a demon, she cannot die (though being decapitated by a half-demon means she cannot heal herself) and thus her head continues to live on, ultimately seeking support from Tsugaru to get her body back and take revenge on the man who left her like this. Tsugaru Shinuchi (真打 津軽, Shin'uchi Tsugaru) Voiced by: Taku Yashiro[2] A former member of a special oni extermination squad charged
with slaughtering monsters across Japan during the Meiji Restoration. At some point, he was injected with oni blood by the same man who beheaded Aya and turned into a half-oni himself. Though the power allows him to kill oni and other supernatural beings with his bare hands, he knows that at some point in the future the oni blood will overcome his human personality and he will be put down by a similar hunter. In the meantime, he supports himself by fighting other demons in cage matches as a circus act called the Oni Slayer. Shizuku Hasei (馳井 静句, Hasei Shizuku) Voiced by: Makoto Koichi[2] A stern maid who serves under Aya. She wields a rifle with an attached bayonet that fires silver rounds. Parisians[edit] Annie Kerber (アニー・ケルベル, Anī Keruberu) Voiced by: Sayumi Suzushiro[3] A young Parisian journalist girl who follows the exploits of The Cage User and the various supernatural cases they run into around Europe. Arsène Lupin (アルセーヌ・ルパン, Arusēnu Rupan) Voiced by: Mamoru Miyano[4] A gentlemanly Parisian thief and a master of disguise who loves playing with his targets, even sending calling cards to his targets to prove he can steal their treasure regardless of their defenses against him. Phantom (ファントム, Fantomu) Voiced by: Hiro Shimono[5] A mysterious Persian orphan who lives beneath a theater in Paris.
The film focuses its attention almost entirely on the personal tragedies that war gives rise to, rather than seeking to glamorize it as a heroic struggle between competing nations. It emphasizes that war is society's failure to perform its most
important duty: to protect its own people. [26] However, Takahata repeatedly denied that the film was an anti-war film. In his own words, it "is not at all an anti-war anime and contains absolutely no such message". Instead, Takahata had intended to convey an image of the
brother and sister living a failed life due to isolation from society and invoke sympathy particularly in people in their teens and twenties. [27][28] Since the film gives little context to the war, Takahata feared a politician could just as easily claim fighting is needed to avoid such tragedies.
^ トモちゃんは女の子!(7) (in Japanese). Kodansha.
Retrieved September 5, 2021. ^ "Tomo-chan is a Girl! Vol. 7". Seven
Seas Entertainment. Retrieved December 14, 2021. ^ ようこそ実力至上主義の教室へ 3. Media Factory. 23 March 2017. Archived from the original on September 24, 2021.
