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Kodansha. Archived from the original on April 22, 2023. Retrieved April 22, 2023. ^ "Shangri-La Frontier, Volume 13". Kodansha USA. Retrieved November 18, 2023.

Both Eida and Daemon are revealed to have been reprogrammed by Amado, and turn on Code, forcing him to flee. In the aftermath, Amado reveals that Eida's and Daemon's powers are shinjutsu transplanted from the corpse of Shibai Otsutsuki, an Otsutsuki who achieved godhood and transcended to another plane. He defines shinjutsu as divine abilities more powerful than ninjutsu which can only be used by gods, including the Karma. Meanwhile, Momoshiki appears in Boruto's mind, showing him a vision of his friends fighting him. Kawaki, having deduced that Boruto, being a full-fledged Otsutsuki, is likely to turn evil, sends Naruto and Hinata into another dimension, vowing to kill Boruto and all other Otsutsukis. Boruto confronts Kawaki, and in the ensuing fight, Kawaki slashes out Boruto's right eye. Sasuke arrives and tries to stop Kawaki, but the latter manages to escape. Kawaki meets with Eida, who uses her Senrigan dojutsu to rewrite everyone's memory: Kawaki and Boruto will have swapped places. Only Sumire Kakei and Sarada are immune, with the latter awakening her Mangekyou Sharingan for fear of losing Boruto. Sarada is able to convince Sasuke of Boruto's innocence, with Sasuke swearing to protect Boruto. Part II: Two Blue Vortex[edit] Three years later, Sarada has failed to convince Eighth Hokage Shikamaru Nara of Boruto's innocence.

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The series’ portrayal of political dynamics of corruption and power highlights the disparity of growing concerns against the bourgeoise, suffering in the midst of a plague. Speaking on the conceptualization of the plague, the creator argued its role in the narrative is to serve as a reflection of the corruption, greed, inequity and injustice committed by the ruling class, using it as a camouflage to usurp the political power to maintain influence in the Kingdom of Joseon. [43] Eun-hee stated in an interview that she wanted to depict several themes through the use of various narrative devices in the series. She later explained that the theme of the first season was "to tell a story about hunger. " Eun-hee further added that she wanted to "portray people who were mistreated by those in power struggling with starvation and poverty through the monsters". [44] Shifting to the second season, the theme of blood was explored to "tell a story about monsters who crave blood and humans who desire a particular bloodline and lineage. "[45] Later, Eun-hee noted that a future season of Kingdom will dabble in the exploration of resentment as a theme for the basis of the new story to be told. [46] After Netflix ordered the special episode Kingdom: Ashin of the North,[15] Eun-hee highlighted that the episode will mark an important bridge between the events of the first two seasons and the third season. In an interview, Eun-hee elucidated further on the reasoning behind the episode, stating that "I decided to go with a special episode because I thought it would be more interesting. We cannot leave out the story of the resurrection plant. " She further added that "If the first season served as the cornerstone of the show, Kingdom: Ashin of the North, will be a stepping stone for the third season of Kingdom. Despite winning, Ippo held his head down as he walked from the ring. Ippo expressed his remorse to Takamura in the waiting room from how he fought against Kojima. Ippo thanked both Kamogawa for the training and Takamura for the advice that helped him in the match. After everyone left for Takamura's match against Peter Rabbitson, Ippo fainted. Ippo was found by Aoki, who began helping him go to the doctor until Aoki found out the autograph he signed for Kojima was found in the trash by Team Aoki, causing Aoki to run off, leaving Ippo. Speed Zone Arc Ippo being interviewed by Mari about Kojima.
on September 11, but halted production in November 1995 after two seasons due to low ratings. [17][18] Despite moderate success in Canada, the U. S. airing struggled in early morning "dead" timeslots;[19] the series originally aired in the U. S. in morning and afternoon timeslots which Anne Allison describes as unsuitable for the target audience.