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Jenny Kwok Wah Lau writes in Multiple Modernities that Akira is a "direct outgrowth of war and postwar experiences. " She argues that Otomo grounds the work in recent Japanese history and culture, using the atomic bombing of Japan during World War II, alongside the economic resurgence and issues relating to overcrowding as inspirations and underlying issues. Thematically, the work centers on the nature of youth to rebel against authority, control methods, community building and the transformation experienced in adolescent passage. The latter is best represented in the work by the morphing experienced by characters. [21] Susan J. Napier identified this morphing and metamorphosis as a factor that marks the work as postmodern: "a genre which suggests that identity is in constant fluctuation. " She also sees the work as an attack on the Japanese establishment, arguing that Otomo satirizes aspects of Japanese culture: in particular, schooling and the rush for new technology. Akira's central image of characters aimlessly roaming the streets on motorbikes is seen to represent the futility of the quest for self-knowledge. The work also focuses on loss, with all characters in some form orphaned and having no sense of history. The landscapes depicted are ruinous, with old Tokyo represented only by a dark crater. The nihilistic nature of the work is felt by Napier to tie into a wider theme of pessimism present in Japanese fantasy literature of the 1980s.

[7] Yoichi Takahashi was delighted by association football after seeing the 1978 FIFA World Cup. The matches, players and fans' love towards the sport inspired him to write a manga about football. [8] Another relevant aspect on this decision was the fact that Takahashi liked football more than baseball because he considered the players to have more freedom during matches. [7] Despite football not being popular in Japan, Takahashi aimed to depict it through his manga and to reach the general public. [8] Because of the non-popularity of the subject, getting the approval to write the manga by its publisher, Shueisha, took between 2 and 3 years, which was also difficult since it was his first manga. [7] Rather than using professional players, the manga author instead used children as protagonists, hoping readers would identify themselves with the cast.

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"Jason Thompson's House of 1000 Manga - Harlem Beat". Anime News Network. Archived from the original on January 26, 2021. Retrieved April 14, 2020. ^ Aoki, Deb (2007). "2007 Best Continuing Manga List—Top 10 Current Manga Series of 2007". About. com. IAC. Archived from the original on May 8, 2014. Retrieved December 13, 2008. How to use Japanese suffixes Stason. org Japanese Dictionary with Hiragana, Katakana and Kanji virtual keyboards Japanese Honorifics - How to use San, Sama, Kun and Chan How to use Otsukaresama Learn Japanese - Grammar and Vocabulary vteHonorifics Burmese Canadian Chinese Hokkien English Filipino French German Indian Tamil Indonesian Italian Japanese Korean Sinhala Slavic Russian Thai vteJapanese languageEarlier forms Old Early Middle Late Middle Early Modern DialectsEastern Hokkaidō Tōhoku Northern Nanbu Tsugaru Akita Southern Kesen Nairiku Kantō Western Gunma Kanagawa Tokyo Eastern Ibaraki Tochigi Northern Izu Islands Tōkai–Tōsan Nagano-Yamanashi-Shizuoka Shizuoka Narada Echigo Nagaoka Gifu-Aichi Nagoya Mikawa Mino Hida Western Hokuriku Kaga Kanazawa Shiramine Kansai Awaji Banshū Kishū Okuyoshino Shikoku Iyo Tosa Sanuki Chūgoku San'yō Bingo East San'in Inshū Umpaku Kyūshū Hōnichi Ōita Hichiku Chikuzen Hakata Kumamoto Nagasaki Saga Tsushima Satsugū Other Amami Japanese Okinawan Japanese Pidgins and creoles Bamboo English Bonin English Hawaiian Creole Kyowa-go Pseudo-Chinese Yilan Creole Japanese Yokohama Pidgin Japanese Japonic languages Eastern Old Japanese Hachijō grammar Ryukyuan Northern Amami Ōshima Southern Amami Ōshima Kikai Kunigami Okinawan Okinoerabu Tokunoshima Yoron Southern Miyako Tarama Yaeyama Yonaguni Writing systemLogograms Script reform Kanbun Kanji by stroke count Kanji radicals by frequency by stroke count Kokuji Ryakuji Ateji Kana Hiragana Katakana Furigana Okurigana Gojūon Man'yōgana Hentaigana Sōgana Kana ligature Orthography Braille Kanji Punctuation Kanazukai Historical kana Modern kana Jōdai Tokushu Kanazukai Yotsugana Transcription into Japanese Encoding EUC EUC-JP ISO/IEC 2022 JIS 0201 0208 0211 0212 0213 Shift JIS Unicode Hiragana Kana Extended-A Kana Extended-B Kana Supplement Small Kana Extension Katakana Katakana Phonetic Extensions Other ARIB STD B24 Enclosed EIS Extended shinjitai Half/Full Grammar and
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