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The reason why Miyamura is surfaced as a lonesome otaku geek at the beginning is because of Tanihara and his clique of friends who used to bully Miyamura for his ostracized looks, to the breaking point where what Miyamura once confided in was taken away from him, leading to the gloomy aspect. It's only through Shindo that Tanihara would come to start accepting Miyamura for who he is, with the heart talks between both cementing the reconciliation years later. Other than that, Shindo is the casual butt of a joker, and with Hori adding into the equation only makes the S&M aesthetic look more prominent.
- The others who have significantly less screentime: Shu Iura is the objectively loud airhead of a character whom is exactly like Shindo, Honoka Sawada whom is seen as the detractor of the Horimiya relationship, and the Hori family of a beautiful, yet somehow kinda "broken" family (in particular to Best Dad Kyosuke).
Ideally I would want to paint this picture as someone whom has been in a relationship, but for the general audience, whether you're in one or not, Horimiya is as bare-bones as it can be, trading the romance aspect for its comedy of the Pareto Principle: 80% comedic slice-of-life, 20% romance.
“We’re all a little weird. And life is a little weird. And when we find someone whose weirdness is compatible with ours, we join up with them and fall into mutually satisfying weirdness — and call it love — true love. ” – Robert Fulghum
I find it quite the fascination of not just the OST that Horimiya has, but more of less its visuals and the intended picture of how people are supposed to perceive both the small and big moments, and this is something that I have to give the animators credit for. Starting off with the OP, it's interesting that there's 2 variations of Miyamura's theme: the 1st half where Miyamura is just like his old self, from reaching for the cube alone to most characters feeling dejected and frustrated, to the 2nd half where Hori's hand reached out for Miyamura with the cube, to the director's credit roll of him slicing the monochrome feel to showcase the colours of life with happiness overflowing. Capping off with the ED, it's using the twixt of a mix of animation in a dress-up model style between the central couple.

In early Christian thought, the lack of joy was regarded as a willful refusal to enjoy the goodness of God. By contrast, apathy was considered a refusal to help others in times of need. Acēdia is the negative form of the Greek term κηδεία (Kēdeia), which has a more restricted usage. 'Kēdeia' refers specifically to spousal love and respect for the dead. [45] Pope Gregory combined this with tristitia into sloth for his list. When Thomas Aquinas described acedia in his interpretation of the list, he described it as an "uneasiness of the mind", being a progenitor for lesser sins such as restlessness and instability.

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One fateful day, things escalate when Satou runs into Kojima in the restroom, leading them to share an intimate encounter that makes his imagination run wild for days after. Nande Koko ni Sensei ga? follows the daily life of Satou and his teacher as they continue to meet under similar conditions, growing ever closer with each encounter. [Written by MAL Rewrite] StudioTear Studio SourceManga ThemeSchool DemographicSeinen 6. 51 350K Add to My List Imouto sae Ireba Ii. 337841 7. 26 20171008 Imouto sae Ireba Ii. TV, 2017Finished 12 eps, 23 min Comedy Romance Ecchi Imouto sae Ireba Ii. Itsuki Hashima is a light novelist obsessed with little sisters, strictly focusing on them when he writes his stories. Despite his personality, he is surrounded by a tight circle of friends: Nayuta Kani, a genius yet perverted novelist who is in love with him; Haruto Fuwa, a fellow male author whose work has seen considerable success; Miyako Shirakawa, a good friend that he met in college; and Chihiro, his perfect younger step-brother who takes care of the housework and cooking. Together, they play strange games, go on spontaneous journeys, crack silly jokes, and celebrate each other's successes. However, each individual must also deal with their own issues, whether it is struggling to meet a deadline or coming to terms with traumatic events buried in their past. [17] In the beginning, Maru has feelings for Kiruko without knowing that his bodyguard is a man inside a girl's body. Ishiguro called this premise as "transsexual sci-fi", alluding to the possibility of Maru still loving Kiruko despite knowing the truth. [19] In contrast to And Yet the Town Moves, Heavenly Delusion employs a darker tone, most specifically the delusions children have. One of the children, Tokio, lives in a mysterious facility. She likes fantasy paintings drawn by her friend Kona and collects them. Kona can imagine things that he had never seen before.