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Release date ISBN 1 May 27, 2021[46]978-4-04-913721-7 Kōrin no Hi (降臨の日)Shirabe no Hi (調べの日)Tenshi ga Ochiru Hi (天使が堕ちる日)Tōhai no Hi (闘牌の日)Dai Mahō no Hi (大魔法の日)Matsuri no Hi (祭の日)Eiga Satsuei no Hi 1 (映画撮影の日1) 2 February 26, 2022[47]978-4-04-914109-2 Eiga Satsuei no Hi 2 (映画撮影の日2)Umi o Mi ni Iku Hi (海を見に行く日)Kami-goroshi no Hi 1 (神殺しの日1)Kami-goroshi no Hi 2 (神殺しの日2)Saikai no Hi (再会の日)Yūgi no Hi (遊戯の日)Kimi ga Erabu Hi (君が選ぶ日)Korekara no Hibi (これからの日々) Reception[edit] This section needs expansion. You can help by adding to it. (January 2024) The series received a mixed reception. In reviewing the first episode, Vrai Kaiser of Anime Feminist said that while the series isn't bad, its writing can unearth "a kind of camaraderie in the face of despair," but that these two months are "preceded by 20 minutes of noise," but that there is potential in the series. [48] In a review of the first three episodes, Meru Clewis on the same website, said they approached the series enthusiastically due to fond memories of Angel Beats but was apprehensive, saying it has the potential to be "really, genuinely interesting" if Hina's character is improved, and hoped that the series gets better. [49] In another review, on the same website, Noise criticized the series for featuring a "lot of insidious ableism" in the last few episodes, perpetrating harmful ideas about treatment and agency of disabled people, embodying clichés and stereotypes that disabled people often embody in popular fiction, and the ableism of the series' big plot twist as tying into the "disability superpowers" trope. However, he also said that there is an "incredibly uncomfortable sexual undertone", a "coat of romantic sugariness", criticized the series for promoting a "regressive. narrative about disability," and said that the series had some high points, including a touching subplot, while citing The Duke of Death and His Maid as a better example of "coded disability" in anime. [50] Notes[edit] ^ a b Tokyo MX listed the series premiere on October 10, 2020 at 24:00, which is midnight on October 11.[25] The manga has also been licensed in France by Pika Édition;[26] in Germany by Kazé;[27] in Taiwan by Tong Li Publishing;[28] in South Korea by Haksan Publishing;[29] in Italy by Panini Comics;[30] in Spain by Planeta DeAgostini;[31] in Thailand by Vibulkij Publishing;[32] in Indonesia by Elex Media Komputindo;[33] and in Argentina by Editorial Ivrea. [34] A spin-off manga focusing on Seishiro Nagi, titled Blue Lock: Episode Nagi, began serialization in Kodansha's Bessatsu Shōnen Magazine on June 9, 2022. [35] The spin-off is written by Muneyuki Kaneshiro and illustrated by Kōta Sannomiya. [36] Its chapters have been collected in three tankōbon volumes as of September 14, 2023. [37] Kodansha has published the series in English on their K Manga service. [38] In October 2023, Kodansha USA announced that the manga is planned to be published in print starting in Q3 2024. [39] Anime[edit] Main article: List of Blue Lock episodes An anime television series adaptation was announced on August 12, 2021. The series is produced by Eight Bit and directed by Tetsuaki Watanabe, with Shunsuke Ishikawa serving as assistant director, Taku Kishimoto overseeing the series' scripts, Masaru Shindō providing the main character designs and serving as chief animation director, Hisashi Tojima serving as a chief action director, and Jun Murayama composing the music. [2] It ran for 24 episodes. [40] The series aired from October 9, 2022, to March 26, 2023, on TV Asahi's NUMAnimation [ja] block. [2][5][b] The first opening theme song is "Chaos ga Kiwamaru" (カオスが極まる, "Chaos Reigns") by Unison Square Garden, while the first ending theme song is "Winner" by Shugo Nakamura.
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