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This never happens in the manga, because in the manga, Riku’s not an idiot who can’t reign his emotions in. Of course, the moments between matches are where the filler mostly resides. Again, random events that get prolonged just a bit too long or dialogue that’s extremely pointless and rehashed over and over again in order to fill in those precious minutes of complete nothingness.
So, do I recommend the manga over the anime? Eh, up to you. I think all of the changes that the anime made were way worse, and the pacing is a lot slower than it should be at times. But, when it matters the most, the matches and the clashes between teams shown in
animation to me, feel a lot more exciting in the anime. Plus, Hiruma’s voice acting is just way too good to pass up. Please do, however, pick up the manga where the anime left off after finishing this 145 episode run. Reviewer’s Rating: 7
What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by PixelB (387) Show allRead moreShow lessOpen Gift Report Jan 2, 2009 ladyxzeus Mixed Feelings Eyeshield 21 is an essay in 145 episodes about.
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Mushoku Tensei wants to have its cake and eat it by being a pensive
fantasy epic about redemption with immersive worldbuilding whilst incorporating trashy seasonal ecchi power fantasy elements operating on hentai . logic into its narrative. Instead, the former narrative style gets engulfed by the latter because the author can’t help himself and the end result is a sum lesser than the parts that reads like a degenerate fanfiction masquerading as a coming-of-age story. This disconnect plagued the first season and jeopardized any prospect of Mushoku Tensei being a serious story, but the second season thoroughly exposes this tonal and thematic mess as the failed assimilation of the two antithetical storytelling approaches that it is; this season only serving to expand the MC’s forced harem. To some, the insufferably grating MC is part of what makes this isekai special. In actuality, the series
shows no signs of meta-commentary about this character chasing underage girls as a 21st-century first-world Japanese male inside a medieval fantasy world. The show instead fully embraces it and I suppose its only half-hearted attempt at self-awareness is always playing it off as laughs with the overreliance on vulgar humour. As with any joke, it stops being funny the nth time it's used. Rudeus is continuously shown to still have the mental age and awareness of a 34-year-old contemporary otaku through various forms of dialogue and his interactions with Man-God even depict him in his past-life state to reinforce that fact, yet the story does nothing meaningful about it in order to justify the very concept in which it's founded upon and lets him fully pursue his perversion.