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Retrieved March 22, 2022. ^ a b c d e f Hodgkins, Crystalyn (May 13, 2022). "Nana Mizuki, Kensho Ono, More Join Cast of Tomodachi Game Anime". Anime News Network. Archived from the original on May 13, 2022. Retrieved May 13, 2022. ^ "Overlord IV English Dub Reveals Cast & Crew, Release Date". Crunchyroll. Archived from the original on July 18, 2022. Retrieved July 19, 2022. ^ "Crunchyroll Games Launches Mass For The Dead, A Dark RPG Based On The Overlord Anime".

[19] Sailor Moon's civilian name, Usagi Tsukino, is turned into Serena. [19] The love interest of Sailor Moon, Mamoru Chiba, is turned into Darien Shields. [20] Other examples of westernization referenced by Sailor Moon's audience were things like flipping scenes of traffic to have cars drive on the right side of the road along with the English dub changing any conversations between characters that contained lesser-known (in the United States at the time) Japanese cultural references. [21] According to Bandai America, the company in charge of Sailor Moon merchandise in the western hemisphere, the approach to advertising Sailor Moon was to make the show and super-heroine "'culturally appropriate' for the American market". [22] Media[edit] Manga[edit] Main article: List of Sailor Moon chapters Written and illustrated by Naoko Takeuchi, Sailor Moon was serialized in the monthly manga anthology Nakayoshi from December 28, 1991, to February 3, 1997. [7] The side-stories were serialized simultaneously in RunRun—another of Kodansha's manga magazines.

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"The Half-Naked Hero and Friends in Golem Paradise" 60. "The Past Always Stabs You in the Back" 61. "An Unfriendly Gate Guard 62. "The Unknown, Concealing Good and Evil Until Revealed" 63. "Dancing Conferences, Spinning Motives, and Zombies" 64. "Accelerating Conference, Surging Greed, and Multiple Beginnings" 65. "Know Whose Hand You Dance Upon" 8 April 15, 2022[40][41]978-4-06-527530-6
978-4-06-527528-3 (LE)November 1, 2022 (digital)
November 7, 2023 (print)[42]978-1-68491-531-6 (digital)
978-1-64651-809-8 (print) 66. "All Things Must Fall, All of Creation Must Be Conquered" 67. "Towards the Sky, Dreaming the Impossible" 68. "Aloof Sympathy at the Scorpion Falls" 69. "Impelled by Hunger" 70. These kinds of remarks get chuckles for the basic reason that we like to pat ourselves on the back for recognizing a pattern and having the thing we watch acknowledge it as such. Considering the sheer degree of prevalence the isekai genre has enjoyed ever since the early 2010s, no doubt because it provides publishers like Kadokawa a lot of money, it makes sense that isekai too would become susceptible to these kinds of remarks from its own works.
But *The Eminence in Shadow* makes the mistake of assuming that being meta is the same as being funny or a worthwhile piece of entertainment. Glimpsing the greater picture, or making casual reference to things that viewers would recognize, is perhaps a short-term solution. But that does not guarantee that the inner substance of the story will be able to stand on its own two feet, either. Within its audience-conscious asides, it attempts to fashion a fantastical story of Cid Kagenou, a fashions-himself-as-the-ultimate-warrior man who attempts to make the best of both worlds, so to speak. Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other. Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness.