j'irai te voir dans ma prochaine vietjack 8
– Hiroyuki Imaishi, Night City Wire This section requires expanding. Click here to add more. Hiroyuki Imaishi (Gurren Lagann, Kill la Kill, Promare) directed the series along with assistant director Masahiko Otsuka (Gurren Lagann, Promare), creative director Hiromi Wakabayashi (Kill la Kill), character designers Yoh Yoshinari (Little Witch Academia, BNA: Brand New Animal) and Yuto Kaneko (Little Witch Academia), and the adapted screenplay by Yoshiki Usa (SSSS. GRIDMAN, Promare) and Masahiko Otsuka (Gurren Lagann, Kill la Kill, Promare). The original
score was composed by Akira Yamaoka (Silent Hill series). [1] Edgerunners was showcased on June 8th at the Netflix's Geeked Week 2022. [2][3] A preview event hosted by CD Projekt RED showcasing the first three episodes of Edgerunners in English took place on September 12, 2022 on [1]. [4] Containing 10 episodes, Edgerunners premiered on Netflix on September 13, 2022. [5] Both the opening and
ending songs were chosen by CD Projekt RED, while the rest of the soundtrack was chosen by Studio Trigger. [6] Credits[] Creator: Rafał Jaki Director: Hiroyuki Imaishi Assistant director: Yoshiyuki Kaneko Animation studio: Trigger Executive producers: Rafał Jaki, Dylan Thomas, Taiki Sakurai, Yoshiki Usa Producers: Saya Elder, Bartosz Sztybor, Satoru Homma Animation producers: Shunsuke Shida, Naoko Tsutsumi Screen story: Bartosz Sztybor Script: Masahiko Otsuka, Yoshiki Usa Creative support: Hiromi Wakabayashi Character designer: Yoh Yoshinari Assistant character designers: Yuto Kaneko, Yusuke Yoshigaki Background director: Masanobu Nomura Color design: Yukiko Kakita Composite director: Tetsuya Kawata Editor: Masato Yoshitake Sound director: Hiroki Urakari Sound effects: Hiroki Nozaki, Airi Kobayashi Original score: Akira Yamaoka Opening animation director: Hiroyuki Imaishi Opening storyboard: Kai Ikarashi Opening staff: Shigeto Koyama, Hiromi Wakabayashi, Tuyoshi Kusano, Yoshiyuki Kaneko, Eiji Tsuchida, Koji Aramaki, Shoichi Kita, Ryoma Sanpei Opening song: This Fffire by Franz Ferdinand Notes[] The first episodes (1-6) take place sometime in 2076, while the following episodes (7-10) take place a few months later that same year. [7][8] The Japanese script uses less streetslang than the English dub.
He stated that Kaku enthralls readers with the mysteries of the island while his illustrations are "like taking some of the
most shocking art from the legendary EC Comics' horror titles and multiplying it by the power of 10. "[77] Kiara Halls of Comic Book Resources called the first volume a "great, emotional bloodbath" that
provides "bloody, classic shonen action with uncommonly sincere emotional depth. " She explained that while establishing the relationship between Sagiri and Gabimaru forms the crux of the volume, it's an uncommon one as their bond is "of mutual respect formed by an emotional connection," not of dominance or lust. That coupled with "solid, detailed art and supernatural intrigue," had Halls call the series a potential breakout hit. [78] Reviewing the first volume for Anime News Network, Rebecca Silverman and Faye Hopper both gave it 3. 5 stars out of 5.
[34] Some shōnen works of this period featured lesbian characters, though they were typically depicted as fanservice and comic relief. [35] Roughly a dozen yuri manga were published from the 1970s to the early 1990s, with the majority being published in the 1970s. [36] Most of these stories are tragedies, focused on doomed relationships that end in separation or death. [37] Owing to the small number of works published during this period and their generally tragic focus, Yuri Shimai has referred to the 1970s and 1980s as the "dark age" of yuri. [38]
Several theories have emerged to explain the bias towards tragic narratives present in this period. Writer and translator Frederik L.
Schodt notes that the majority of shōjo manga published during this period were tragic, regardless of whether or not they were yuri. [37] James Welker of Kanagawa University argues that these narratives represent a form of "lesbian panic", where the character – and by extension, the author – refuses their own lesbian feelings and desires. [37] Verena Maser suggests that the decline of Class S removed the only context in which intimate relationships between women were possible,[39] while Yukari Fujimoto suggests that patriarchal forces were responsible for tragic endings in these stories. [37] 1990s: Mainstream popularity[edit] Cosplayers dressed as Sailor Uranus and Sailor Neptune from Sailor Moon By the 1990s, tragic story formulas in manga had declined in popularity. [40] 1992 saw the release of two major works for the development of yuri: Jukkai me no Jukkai (1992) by Wakuni Akisato [ja], which began to move the genre away from tragic outcomes and stereotyped dynamics;[41] and the anime adaptation of Sailor Moon (1991–1997) by Naoko Takeuchi, the first mainstream manga and anime series to feature a "positive" portrayal of a lesbian relationship in the coupling of Sailor Uranus and Sailor Neptune.
