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^ "Animage Top-100 Anime Listing". Anime News Network. January 15, 2001. Archived from the original on April 15, 2019. Retrieved June 17, 2013. ^ "TV Asahi Top 100 Anime".

[64][65] Eiichiro Oda served as executive producer for the series alongside Tomorrow Studios CEO Adelstein and Becky Clements. [65] The series would reportedly begin with the East Blue arc. [66] In January 2020, Oda revealed that Netflix ordered a first season consisting of ten episodes. [67] On May 19, 2020, producer Marty Adelstein revealed during an interview with SyFy Wire, that the series was originally set to begin filming in Cape Town sometime around August, but has since been delayed to around September due to COVID-19. He also revealed that, during the same interview, all ten scripts had been written for the series and they were set to begin casting sometime in June. [68] However, executive producer Matt Owens stated in September 2020 that casting had not yet commenced. [69] On September 15, 2023, Oda revealed that the show has been renewed for the second season. [70] In March 2021, production started up again with showrunner Steven Maeda revealing that the series codename is Project Roger. [71] In November 2021, it was announced that the casting for the series includes Iñaki Godoy as Monkey D. Luffy, Mackenyu as Roronoa Zoro, Emily Rudd as Nami, Jacob Romero Gibson as Usopp and Taz Skylar as Sanji. [72][73] In March 2022, Netflix added Morgan Davies as Koby, Ilia Isorelýs Paulino as Alvida, Aidan Scott as Helmeppo, Jeff Ward as Buggy, McKinley Belcher III as Arlong, Vincent Regan as Garp and Peter Gadiot as Shanks to the cast in recurring roles.

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In fact as far as enjoyment value goes I'd even say I liked the anime *more* than the novels, because a) the fight scenes come across better animated, and b) Hestia's character is *way* more likeable in the anime. Yes, there is a lot of content from the novels that is skipped, but it feels like it didn't hurt the overall story very much to leave it out either, so it works out anyway. The only thing the anime occasionally lacks is some proper explanations of certain skills' and items' functionalities, but other than that I don't have a whole lot to complain about.
All-in-all, Danmachi is far from a masterpiece, yet given the premise I think it delivers a lot more than most people probably expected coming into it. The story has most definitely been done before, but Danmachi adds its own twist to it and more importantly it does it *well*. It goes to show that with proper execution, a time-tested concept is still perfectly viable, and as a result it provides an anime that always leaves you with a smile on your face. Call it generic or shallow or whatever, but that doesn't change the fact that it's easily one of the most entertaining anime of the year thus far. And really, when it all comes down to it. that's essentially all that matters. Samurai Pizza Cats resembles a Golden Age Western cartoon in both artstyle and humor. Topo Gigio is an anime based on the eponymous 1950s Italian puppet character, and as such it has a style similar to old-school Western kids' cartoons. Interestingly, while the Italian dub has Topo Gigio voiced by the same performer who always voiced the puppet, the Japanese original has him voiced by Ryūsei Nakao, who in fact often voiced heroes and main characters in the Japanese dubs of Western cartoons. Lady Red by Akira Toriyama is a homage to, and parody of, Western comics. It is written from left to right, features typical comic book sound effects in big lettering, and has a sense of humour that is quite cynical and almost mean-spirited, a far cry from the man's typical zaniness. The general style, however, is quite clearly Toriyama's.