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Anime News Network. Archived from the original on November 15, 2020. Retrieved July 4, 2022. March 2020: "Graphic Books and Manga - March 2020". The New York Times. March 8, 2020.

[116] It was broadcast in Japan on Nippon TV from October 8, 1997, to April 1, 1998. [117][d] Film series (2012–2013)[edit] Main articles: Berserk: The Golden Age Arc and List of Berserk: The Golden Age Arc – Memorial Edition episodes The Berserk's Golden Age arc was adapted into a trilogy of theatrical anime films by Studio 4°C. [119][120][121] The first film, The Egg of the King, premiered in Japan on February 4, 2012. [122] The second film, The Battle for Doldrey, premiered in Japan on June 23, 2012. [123] The third film, The Advent, premiered in Japan on February 1, 2013. [124] A remastered television broadcast edition, labeled as "Memorial Edition", aired from October 2 to December 25, 2022. [125][126][127] Second series (2016–2017)[edit] Main article: Berserk (2016 TV series) A second anime television series adaptation of Berserk was produced by Liden Films and animated by GEMBA and Millepensee. [128] The series' 12-episode first season covered the manga's Conviction arc. [129] It was broadcast on Wowow and MBS's Animeism anime programming block from July 1 to September 16, 2016. [128][130] A 12-episode second season, which covered the first half of the manga's Falcon of the Millennium Empire arc,[131] was broadcast from April 7 to June 23, 2017. [132][133] Video games[edit] Main articles: Sword of the Berserk: Guts' Rage, Berserk: Millennium Falcon Hen Seima Senki no Shō, and Berserk and the Band of the Hawk Two video games based on Berserk have been developed by Yuke's.

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^ Jolif, Christophe (January 2003). "Bringing SVG Power to Java Applications". Sun Developer Network. ^ de Dinechin, Christophe (24 July 2010). "Hello world!". Grenouille Bouillie. ^ "Teaching the Nintendo Generation to Program" (PDF). bfoit. org. Archived from the original (PDF) on 5 May 2016. Retrieved 27 December 2015. A Girl and Her Guard Dog was definitely the one they sacrificed whenever they needed time for the other two. There's plain bad art, choppy animation, faulty frames, continuity errors, mismatch with audio, style dissonance within a scene, lazy backgrounds, weirdly paced scenes, recycled animation, extended flashbacks (from previous episodes) and probably more. The direction itself and the pacing of the season as a whole were rather good, if you do care about the story. The voice acting and BGM were of standard quality, some pieces even stand out for being particularly effective.
This is purely speculation, but seeing how the vast majority of the recent works from the studio have a male demo, this was a change of pace that was forced into them, and they didn't spend any extra bit of effort in the show besides what was needed so the episode aired.
The OST: I live for Masayoshi Ooishi and the OP didn't disappoint.
And throughout their journey, they face many obstacles ranging from powerful demons, saving people, and overcoming their own personal struggles.
At the heart of the show, Dororo is known for its moody and dark tones. There’s the theme of revenge born from the beginning. The episodic structure (as some fans dubs it as ‘monster of the week’) is a typical style of storytelling for this show. However, Dororo’s intriguing content comes from character development. This is especially true for Hyakkimaru as he begins to develop human characteristics, feelings, and becoming more of himself. Being accompanied by Dororo, they begin to understand each more and more with each progressing episode. At some point, we even see Hyakkimaru laughing, which is something he’d probably never expected from himself. Dororo is also a character that injects a dose of playful energy into the show. Let’s face it, Dororo is a kid but sometimes shows the mature personality of an adult. As a show about survival in a dark and grim world, the duo relies on each other every step of the way.