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May 12, 2021. ^ "'Ghost in the Shell SAC_2045,' 'JoJo's Bizarre Adventure' Return as Netflix Reveals 40 Anime Titles for 2022". Variety. March 28, 2022. ^ "Netflix: More Than Half of Members Globally Watched 'Anime' Last Year". Anime News Network.

Individual scenes were weighted differently so that the manga can be considered supplementary literature, for example, of the characters' backgrounds. [18] The more obvious themes covered by the film are school bullying and the integration of disabled people in society. The film then tackles handling guilt within a community (although this aspect is explored more in-depth in the manga),[19] redemption for mistakes of the past,[20] forgiveness and self-respect. [21] Director Naoko Yamada explains that bullying should not be considered as the central theme of the film but rather a means to explore Shōya's personality as he gets older. The course of bullying is presented precisely and intuitively, in rapid sequences. It is depicted as a collective failure, starting from school managers and overwhelmed teachers to the class community itself.

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She has a different kind of purity than Maru, and he gets the impression that Maru has managed to maintain his innocence even though he has been through a lot of hardships, but Tokio has lived without being exposed to external pressure. Mori think he is a character that symbolizes the interest and disgust of various things that are born in adolescence. [21] Mori believes that the original work already contains the message that Ishiguro wants to convey, so the production side does not add anything else as a plus, but this work really has many elements, such as disasters, technology, and so on. He also thinks it would be nice if the viewers could choose what to pick up among the scattered elements and how to enjoy it, and feels that it is a work that has the bosom to be able to do that. increase. That is why Mori think it is his responsibility in making anime to properly convey that in a way that does not distort it too much. The hints are drawn from the first episode, so Mori is glad if the audience could see it from various perspectives, such as being curious about the mystery or liking the world view of Maru and Kiruko traveling through the ruins. As a production side, the production of the first episode was the most difficult. It is an introductory part, so the animators wanted the audience to like the world view and characters, look forward to the future. [21] Gen Satō, Maru's Japanese voice actor, found that while Maru expresses several emotions, not much about him is known so it got difficult for him to voice the character,[23] while Hibiku Yamamura, Tokio's Japanese voice actress, regards her as a delicate character, which made her hard to properly approach. [23] Regarding the anime adaptation, the director and production side had to think about the overall structure, so Ishiguro had to tell them the story to the end. jp (in Japanese). Kodansha Comics. Archived from the original on July 15, 2014. Retrieved October 20, 2016. ^ "Sailor Moon New Edition Short Stories (2)" 美少女戦士セーラームーン新装版 ショートストーリーズ(2). kc. kodansha. co. jp (in Japanese). Kodansha Comics. Archived from the original on September 3, 2016.