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Nami is entrusted with her role in the operation as the kunoichi "Onami". Together with Shinobu, she travels to the Flower Capital and obtains information on the distribution of weapons. When Nico Robin is called to Orochi's castle, Nami infiltrates it as an escort and attacks Orochi, allowing her and Robin to escape. The next day, after hiding out in a cemetery, she is discovered in a bathhouse by the Beast Pirate Hawkins, but is rescued by Sanji and escapes to Ebisu Town. Following a ruckus in Rasetsu Town, Nami receives a final message by Yasuie from Bepo. She delivers it to Kin'emon, and goes to Amigasa Village to prepare for a raid on Onigashima. During the raid, Nami is spotted by the homie Prometheus, who contacts Big Mom. Nami loses control of Zeus, but is rescued by Franky and Brook. Within Kaido's stronghold, Nami and Usopp provoke and attract the attention of Beast Pirates Ulti and Page One, and are nearly killed. With Tama's intervention, they barely manage to escape, and use Tama's power to turn the Beast Pirates' elite soldiers into allies. While continuing to flee from Ulti and Page One, Nami and Usopp encounter Big Mom, who angrily joins Nami in attacking Ulti for harming Tama.

His sister Kaede's Adolescence Syndrome affected him as well, leading to him suffering three cuts to his chest. Sakuta's life changes when he meets Mai and helps her overcoming her Adolescence Syndrome, which leads him into getting involved with other girls that suffer the same condition. Sakuta is a nice and helpful person, but he is also very snarky. When speaking to others he is incredibly blunt, honest, and straightforward, as well as being prone to lewd jokes. Sakuta is selfless and caring, often willing to sacrifice his time or even his own well-being to help others. His selflessness stems from the Adolescence Syndrome that involved his sister Kaede as well as from his desire to become a kinder person after first meeting Shoko Makinohara.

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This is what it all boils down to. Re:Zero is an embarrassingly pompous try-hard that's fun to gawk at. It's a show that has proven to be a source of entertainment for those unconcerned with the finer details and who simply want to be amused for 20-minute intervals, as well as a comical mess for those who do see beyond the smoke and mirrors and enjoy dissecting silly shows for purposes of discussion. It's a show that takes itself dead serious while being oblivious to the fact that it's anything but. It's the Elfen Lied, the Mirai Nikki, the Akame Ga Kill, the [insert your own example here] of 2016. A show that could appeal to everyone, regardless of how they view their entertainment or how much thought they place into the pixelated images flooding their peripheral. It's the "M. Night Shyamalan" of animated works, a name big enough to fill in seats on opening night, but consistently funny enough for critical thinkers to jump in knowing they'll experience something amusing, even if unintentional.
Everyone wins. The studio heads make their profit, the majority get to be entertained, and the critics get a new punching bag for their inner circles. The world needs titles like Re:Zero.