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Natalie (in Japanese). Natasha, Inc. February 4, 2021. Archived from the original on February 4, 2021. Retrieved February 4, 2021. ^ DEATH NOTE短編集 (in Japanese). Shueisha. Archived from the original on February 4, 2021. Retrieved February 4, 2021. ^ Mays, Jonathan (May 9, 2006). "Death Note, XXXHOLiC Novels in the Works".

Featuring the voices of Junko Iwao, Rica Matsumoto, Shiho Niiyama, Masaaki Okura, Shinpachi Tsuji and Emiko Furukawa, the plot follows a member of a Japanese idol group who retires from music to pursue an acting career. As she becomes a victim of stalking, gruesome murders begin to occur, and she starts to lose her grip on reality. The film deals with the blurring of the line between fantasy and reality, a commonly found theme in Kon's later works, such as Paprika. LOOK ON MY ACCOUNT FOR MORE CONTENT Addeddate 2022-10-02 00:49:06 Color color Identifier perfect-blue-jolli Scanner Internet Archive HTML5 Uploader 1. 7. 0 Sound sound plus-circle Add Review
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Neko-san ne diffuse pas directement les animes licenciés, mais vous redirigera vers le site de la plateforme partenaire (e. g. , ADN, Crunchyroll). La section de recherche avancée permet de filtrer les résultats par type de licence, année de sortie, auteur, studio, format d’épisode et genre. Neko-san est un excellent outil pour les fans d’anime qui recherchent une plateforme de streaming gratuite et complète. On remarque immédiatement le travail considérable qui a été accompli pour mettre ce site en place. Vous pouvez vous inscrire et profiter des options de planning et de listes, très pratiques pour ne pas avoir à refaire vos recherches à chaque fois que vous souhaitez regarder un épisode. Malgré son statut de développement actif, le site surpasse largement les autres sites d’animes. 25-Nautiljon Nautiljon. com Nautiljon est l’endroit idéal pour les fans d’animes et de mangas. Ce site web français, véritable encyclopédie de la japanimation, offre une actualité riche et complète, à l’instar d’Anime-gate. Fukushima, Jr. believes that this modification of the title is to emphasize parallels between beauty and devastation, citing the relationship between fireflies, M-69 incendiary bombs, naval vessels, city lights, and human spirits. [21][20] In the book Imag(in)ing the war in Japan representing and responding to trauma in postwar literature and film, David Stahl and Mark Williams commend the film for not emphasizing Japanese victimhood to avoid responsibility for atrocities of the war they played a role in. They interpret that Seita's character embodies working towards healing historical trauma and victimization, because it is his nationalistic pride and selfishness which ultimately contributed to his sister's death. [33] Release[edit] Theatrical[edit] The film was released on 16 April 1988, over 20 years from the publication of the short story. [9] The initial Japanese theatrical release was accompanied by Hayao Miyazaki's light-hearted My Neighbor Totoro as a double feature.