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Intelligence[] Despite his carefree nature, Boruto is a very keen-minded individual who excels at reading the situation and adapting to it. Not unlike his father, he shows noticeable ingenuity with the Shadow Clone Technique for complex strategies. While preferring an overall more direct approach in battle, he is adept at various intricate misdirection and feints, which allowed him to get the better of Iwabee and even the likes of Momoshiki. He is also adept at exploiting flaws and weaknesses in both himself and other targets as key focuses in his plans. He is shown to be able to flawlessly solve advanced problems through his own methods. Inojin notes that he has a knack for this. [8] Boruto is noticeably ahead of other students; ending as one of the top three in his school. Even more, he was the only student in his class to pass the written test of the graduation exams without cheating, getting a perfect score. [19] Boruto is also effective in employing others' abilities in creating a strategy, making the most out of his allies' skills. [30] His cunning in battle was even able to deceive and ultimately defeat Ao, a famed and veteran jōnin with decades of experience and powerful cybernetic weapons. [57] New Era: Part I[] Academy Entrance Arc[] Main article: Academy Entrance Arc Boruto awakens his dōjutsu.

Set two years after the manga's epilogue, it sees the introduction of a new Kira and the reactions of the main characters in response to the copycat's appearance. [25] Several Death Note yonkoma (four-panel comics) appeared in Akamaru Jump. The yonkoma was written to be humorous. The Akamaru Jump issues that printed the comics include 2004 Spring, 2004 Summer, 2005 Winter, and 2005 Spring. In addition Weekly Shōnen Jump Gag Special 2005 included some Death Note yonkoma in a Jump Heroes Super 4-Panel Competition. [17] Shueisha re-released the series in seven bunkoban volumes from March 18 to August 19, 2014. [26][27] On October 4, 2016, all 12 original manga volumes and the February 2008 one-shot were released in a single All-in-One Edition, consisting of 2,400 pages in a single book. [28][29] In April 2005, Viz Media announced that they had licensed the series for English release in North America. [30] The twelve volumes were released from October 10, 2005 to July 3, 2007. [31][32] The manga was re-released in a six-volume omnibus edition, dubbed "Black Edition". [33][34] The volumes were released from December 28, 2010 to November 1, 2011.

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Sa Jin Jin est une ancienne idole devenue actrice vivant dans le quartier de Oksu-dong à Séoul. Elle a grandi en compagnie de ses deux amies d’enfance Han Ah Reum et Jang Yeong Sim. Elle a également vécu son enfance et son [. ] 20th Century Boys 1: Beginning of the End En 1969, une bande d’enfants se retrouve souvent dans une base secrète. Sous l’impulsion de l’un des leurs, Kenji Endô, ils inventent des histoires de science-fiction parlant de la destruction du monde par une organisation maléfique à laquelle ils s’opposent pour devenir les sauveurs du monde. Cette histoire, ils la consignent dans un cahier de [. ] Page 1 of 16812345. [105] Debuting in late 2011, the stage play was titled Saint Seiya Super Musical, and presented a live-action adaptation of the first Saint Seiya film, Evil Goddess Eris. Video games[edit] See also: List of Saint Seiya video games Several video games have been released based on the series. Discography[edit] Seiji Yokoyama was the main composer for the Saint Seiya original anime series 1986/90. A selection is listed below: Saint Seiya Original Soundtrack I–VIII (spanning 8 CDs) Saint Seiya – 1996 Song Collection Saint Seiya – 1997 Shonenki Saint Seiya – Best Collection Saint Seiya – Chikyūgi (Single Album) Saint Seiya – Galaxian Wars Saint Seiya – Memorial Box (spanning 5 CDs) Saint Seiya – Gold Collection (spanning 5 CDs) Saint Seiya – Hits (spanning 3 CDs) Saint Seiya – King of the Underworld Saint Seiya – Piano Fantasia Saint Seiya – Tenkai Hen Josō Overture Saint Seiya – Song Selection (commemorative CD for the 30th anniversary of the original series of Saint Seiya eighties)[106] Other media[edit] In the early 1990s, Renaissance-Atlantic Entertainment planned to produce an American animated version of the series titled Guardians of the Cosmos. Only a pilot was made, and the intro was revealed at the end of YouTuber Ray Mona's documentary on the subject titled The Secret Stories of Saint Seiya in December 2022. [107] The full pilot was showcased in the follow-up documentary The Secret Stories of Saint Seiya Part 2 in April 2023.
[54] Some of these subjects are seen in male-targeted works of this period as well,[55][56] sometimes in combination with other themes, including mecha and science fiction. [57][58] Examples include series such as Kannazuki no Miko (2004–2005), Blue Drop (2004–2008), and Kashimashi: Girl Meets Girl (2004–2007). In addition, male-targeted stories tend to make extensive use of moe and bishōjo characterizations. [59] The publication of yuri magazines had the effect of nurturing a "yuri culture" that influenced artists to create works depicting female same-sex relationships. [30] Further, articles in these magazines contributed to the history of the genre by retroactively labeling certain works as yuri, thus developing "a historical canon of the yuri genre. "[60] Specifically, Verena Maser notes in her analysis of issues of Yuri Shimai, Comic Yurihime, and Comic Yurihime S published from 2003 to 2012 that eight of the ten most-referenced series in the magazines predate the 2003 formalization of yuri as a publishing genre: Apurōzu - Kassai (1981–1985), Sakura no Sono (1985–1986), Sailor Moon (1992–1996), Cardcaptor Sakura (1996–2000), Revolutionary Girl Utena (1997–1999), Maria-sama ga Miteru (1998–2012), Loveless (2002–present), and Strawberry Marshmallow (2002–present).