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[22] On the other hand, the play within a play, Double Bind, is more like a parody than a straight psycho-horror, and he made it with the intention of criticizing Japanese TV dramas that are easily made by imitating Hollywood fads immediately. [22] Kon decided to take on the role of director because he couldn't resist the allure of directing for the first time, and because the original author allowed him to change the story as he liked as long as he kept three things in mind to make the film work: the main character is a B-grade idol, she has a rabid fan (stalker), and it is a horror film. [18][19][24] So he took some elements from the original work, such as the uniquely Japanese existence of idols, the "otaku" fans that surround them, and the stalkers that have become more radical, and came up with as many ideas as possible with the scriptwriter, Sadayuki Murai, with the intention of using them to create a completely new story. [16][18][19] And the film needed a core motif, which had to be found not by the screenwriter or anyone else, but by the director, Kon himself. [16][18][19] So he came up with the motif of two things that should have a "borderline," such as "dream and reality," "memory and fact," and "oneself and others," becoming borderless and blending together, based on the short film Magnetic Rose (from Memories), for which he had written a script, and the suspended manga Opus. [22][23] The concept of "memory and fact" in the plot was inspired by the album Sim City by Susumu Hirasawa. [25] He said, "This album is like a city that was suddenly created with a high degree of modernity without any evolutionary process. [25] In the meantime, he came up with the idea that "a character more like 'me' than 'I', the protagonist, to the people around 'me' " is created on the Internet without 'my' knowledge. [16][18][19] The character is "the past me" for the protagonist, and this "other me" that should have existed only on the Internet has materialized due to external factors (the consciousness of the fans who want the protagonist to be like that) and internal factors (the protagonist's regret that she might have been more comfortable in the past). And then the composition that the character and the protagonist herself confronted emerged. [18][19] It was only then that he became convinced that this work could be established as his own video work.

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[92] The art style departed from the previous games in favor of one inspired by Guillermo del Toro's work. [93][94] Lords of Shadow was met with positive reception in 2010 and a commercial success, becoming the best selling Castlevania game to date. [95] It was followed by two sequels, Mirror of Fate (2013) and Castlevania: Lords of Shadow 2 (2014). Lords of Shadow 2 was not as well received as its predecessor. [96] Following its release, an anonymous source claiming to be employees from MercurySteam alleged that development on the game had been troubled. [97] After having been moved to Konami's social division in 2011, Igarashi felt he was unable to release any new games when Konami shifted its focus towards mobile game development. [98] He left in March 2014 to independently create Bloodstained: Ritual of the Night, a spiritual successor to Castlevania. [99] Dave Cox followed Igarashi's resignation a few months later. [100] Recent Castlevania titles released under Konami's recent business model include pachinko and slot machines based on the IP. [101][38] Audio[edit] Castlevania's music features a wide range of compositions, with themes reused throughout the series. It has been critically acclaimed[102][103] and released on many albums, initially under the King Records label. If Tsukiyo Rui of all people managed to write the same thing as you but in a more competent fashion, then you are definitely doing something wrong.
The opening isn’t special, actually, the vocals seem like they were sung when the singer didn’t want to get heard by other people so he recorded it in the background of a room, and the video is simply weird, specially because it isn’t about anything in the series, as it mainly features the girls of Shadow Garden in modern Japan. I had to ask what the opening had to do with the series in some LN group and I was told by people who read the novel that even they didn’t know, the opening is actually very random aside from the parts where Cid is featured. The ending song is nicer and it is sung by a different member of Shadow Garden while featuring a pic of the girl in question, the pic is fanservicey, nothing wrong with that, but when I see the video I have to ask to myself “who is this girl again?”. The animation is fine, it knows how to make the flashy light look good even if fight scenes are lame because the MC is super OP and can’t be defeated or even get to put any effort in the battle.
I was wondering if the series would ever address again what happened in episode 1 as that one actually had an interesting set up and a girl with an actual character alongside Cid, sadly the anime just decided to ignore everything that happened there, which was the thing that finally made me drop the series to a 1 rating, because the only interesting part of the series wasn’t addressed at all, and even now I think that Nishino is more memorable than every single member of Shadow Garden combined.
PD: The best joke in the series is that the first 3 episodes are so haphazardly put together, you can start the series with any of them, and all are equally able to serve as an episode 1.
Thank you for reading. Reviewer’s Rating: 1 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by Ionliosite2 (44) Show allRead moreShow lessOpen Gift Report
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