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Just don’t expect it to be deep or something. -Most
supposed tactics are silly at best since they come down to a character having
broken juchubruchu powers that nobody can defend against. -The characters will also have to explain their juchubruchu powers in the middle of the fight. On one hand it’s lame infodumping that stops the fights. On the other hand it’s a lame excuse for their juchubruchu abilities to work. That’s right, if their opponent doesn’t know what hit him, he won’t get affected by them. How stupid is that? -The ending of the fights is also anticlimactic most of the times, because it’s left inconclusive. A good guy, usually the protagonist, will be butting in right before a conclusive strike, the bad guy will be running away, and nothing will be resolved. It will be leaving you with blue balls since it’s not satisfactory. All this flying and shooting and screaming will amount to absolutely nothing. It’s sakuga for the sake of sakuga, there is no catharsis at the end.
Anime is cinematically shot as if by camera, including panning, zooming, distance and angle shots to more complex dynamic shots that would be difficult to produce in reality. [61][62][63] In anime, the animation is produced before the voice acting, contrary to American animation which does the voice acting first. [64] Characters Anime character design is diverse, but often incorporates common elements depending on the target demographic and era. These are representative samples.
Clockwise from the top left: Ashita no Joe (1970), Macross: Do You Remember Love? (1984), Ghost in the Shell (1995), K-On! (2009), Your Name (2016), The Hidden Dungeon Only I Can Enter (2021), Fruits Basket (2001), and Rurouni Kenshin (1996). The body proportions of human anime characters tend to accurately reflect the proportions of the human body in reality.
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