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[126] Lee wrote: "Chainsaw Man is gory. Extremely gory," adding that these scenes make the series different from other shōnen series, calling them "pretty gross," but "fitting for a dark manga about slashing devils down
with a chainsaw. "[123] Dacey called the series a "blood-and-testosterone-soaked battle manga," commenting that its main appeal is the "outrageous displays of gore and violence," adding as well that Fujimoto "does his utmost to push the boundaries of good taste. "[127] Beckett wrote that the "delightfully ridiculous and bloody" premise runs with it in "all sorts of fascinating directions," adding however, that its reveling in crude humor and violence could be off-putting to some readers. [120] Regarding the characters, Adi Tantimedh of Bleeding Cool called them "sad, broken people who live outside the norms of society and haven't learned basic social skills," adding as well that the series' subtext is about "people getting abused, degraded, dehumanized, objectified, literally becoming objects. " He concluded: "Society is to blame for degrading people into tools and objects; these mangas [sic] seem to be saying, though they never out
right blame Capitalism or the alienating repressiveness of Japanese society. The result is one of the more unique manga out there. "[129] Collins commented that the series has a premise "loosely" comparable to Jujutsu Kaisen, adding, however, that Denji might fit the mold of a shōnen protagonist on paper, but that the mold is "only there to be broken," comparing his "life on the fringes of society" to a "Dickensian parable about the plight of the working class. "[122] Dacey called Denji "a more honest shōnen hero than the typical Jump lead; he thinks and acts like a real teenage boy, right down to his self-absorption and total objectification of women," adding that she could not say she "ever warmed to Denji as a lead character. "[127] Lee commented that the series has an "interestingly goofy contrast between the characters and what's going on," adding that Denji's simple mind and "kind-of-horny instincts" can get tiring at times, but it does not make the series bad, and with the introduction of the "extremely interesting side characters," like Power and Makima, the story "takes a turn for the better. "[123] Its way of handling comedy has also been commented.
Ippo continued his training with Kamogawa, with added additions to train the New Dempsey Roll. After a training session, Ippo went up to the gym's rooftop where he meets Takamura. Takamura asked if Ippo can deliver and if he can carry the kind of burden to live up to expectations. Ippo answered that since his next loss would be his last, he would give it everything he has. Ippo goes down against Nagumo. Ippo was tasked to spar against world ranker and junior featherweight boxer Ryūji Nagumo. When the spar began, Ippo was able to see Nagumo's punches, but could not dodge, resulting in Ippo falling down. Kamogawa got into the ring and stopped the spar. After leaving the ring, Ippo believed that his headgear was the cause of him not seeing the punches at the end while he was starting weaving. Back at home, when Ippo tried to draw a straight line, but couldn't, he figured he must still be hurt from his match against Alfredo. Ippo tried to convince himself that he is not broken, as he wants to continue training together with Kamogawa and live up to his hopes.
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