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Throughout the storyline, Misha grapples with Tsubame’s questionable behavior while
occasionally finding positive aspects in their relationship. 55. Miyuki-chan in
Wonderland The anime follows Miyuki, a young high school student who repeatedly gets engulfed by mysterious worlds, each presenting various challenges for her to overcome in order to return. However, none of these individual stories reach a resolution, emphasizing the sense of hopelessness Miyuki experiences. Notably, the narrative is carried solely by female characters, with occasional scenes suggesting Shōjo Ai (girl’s love), though it serves as a thematic element rather than influencing the overarching plot. 54. Retrieved 11 September 2014. ^ Strohl, Danie (July 2006). "Endura Front Bumper The bounce-back bumper that freed automotive styling". Hemmings Motor News. Retrieved 20 August 2018.
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As for the character designs, at least for most of the main duo, they’re fairly attractive and mostly on-model barring a few stylistic changes throughout episodes and fight scenes (which are as hit or miss as the episodes themselves). Most of the secondary and tertiary characters are not very distinct or
interesting and suffer from off-model syndrome a tad more, but it’s never anything heinous. As for the designs of the demons that are slain throughout the show, the only interesting ones were the ghost foxes that appeared halfway into the show, as well as a possessed horse near the end of the show. I also like the monochrome aesthetic, as it complements the atmosphere and designs of the show, especially when the animation kicks into high gear. It’s probably one of MAPPA’s more well-produced titles, even if nothing here is especially exciting.
That’s where most of the compliments end, as the writing leaves a lot to be desired. I like the idea they were going with. It would have been interesting to see how the episodic stories impact Dororo and especially Hyakkimaru in their journey to slay demons and regain the latter’s humanity and body parts, which were robbed from him at birth. Having their escapades intertwine with the story of a falling kingdom and a family whose secrets unravel as specific members learn of Hyakkimaru’s survival
could have been exciting. An overarching narrative where the characters often deal with episodic occurrences is certainly nothing bad, nor anything groundbreaking. One-off episodes are a great way of allowing for action spectacles and powerful moments that could impact character arcs tremendously.
