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Perhaps there has always been less of a difference between them, a boy and a beast, than either of the two ever realized. [Written by MAL Rewrite] StudioStudio Chizu SourceOriginal ThemesAnthropomorphic
Isekai 8. 24 422K Add to My List Tsuki ga Michibiku Isekai Douchuu 420295 7. 71 20210707 Tsuki ga Michibiku Isekai Douchuu TV, 2021Finished 12 eps, 23 min Action Adventure Comedy Fantasy Tsuki ga Michibiku Isekai Douchuu As part of a mysterious contract agreed upon by a goddess and his parents years ago, Makoto Misumi finds himself sent to another world to meet the goddess and become the hero. However, the deity deems Makoto to be "hideous," refusing to even lay eyes upon him and revokes his heroic title. Disdainfully giving him the ability to understand all
languages except the human language as compensation, the goddess drives Makoto off to the farthest edges of the wasteland, far from human civilization. Due to the disparity between Earth and this new world, Makoto's inherent physical and magical capabilities awaken, making him extremely powerful. He meets various demihumans and mythical beings who all end up being captivated with his characteristics and join Makoto in building a new community where all of them can peacefully coexist. Nevertheless, despite this success, Makoto still yearns to meet fellow humans. In a world where the goddess herself has barred him from interacting with his kind, it is up to Makoto and his companions to fulfill his desire—and perhaps reform society along the way. [Written by MAL Rewrite] StudioC2C SourceLight novel ThemeIsekai 7.
[7] In working on the animation character designs, he focused on designing them so as to enable the series' other animators to apply them without deviating from Clamp's original art style. [7] The music for the series was composed by Kōtarō Nakagawa and Hitomi Kuroishi, who had earlier worked with the series' core staff in Planetes and Taniguchi's earlier work Gun X Sword. In addition to the incidental music featured in each episode, Kuroishi also composed numerous insert songs for the series, including "Stories", "Masquerade", "Alone", and "Innocent Days", which were each performed by Kuroishi herself, while "Picaresque" and "Callin'" were performed by the singer-songwriter Mikio Sakai, who had also earlier worked with Nakagawa and Kuroishi in Planetes. The bands FLOW, Ali Project, Jinn, SunSet Swish, Access, and Orange Range have provided songs for the opening and ending themes in the original broadcast. [8][9] When the series was being developed for broadcast on MBS TV, it had been given the network's Saturday evening prime time slot, which was
later changed to a Thursday late night time slot. Due to this change, the overall outlook and some elements of the series were changed and further developed to suit the more mature, late night audience. [6] The supernatural "Geass" ability finally came into the show at this point and was first conceived as a special power granted by an "angel" to the main characters, though this last part was also modified. [6] Media[edit] Anime[edit] Main articles: List of Code Geass: Lelouch of the Rebellion episodes and List of Code Geass: Lelouch of the Rebellion R2 episodes Code Geass officially premiered on the Mainichi Broadcasting System (MBS) television station on October 5, 2006 (01:25 JST on October 6, 2006). Its satellite television premiere across
Japan on Animax was on November 7, 2006. [10][11] Upon the airing of the first 23 episodes, the series went on hiatus on March 29, 2007,[10][12] and completed broadcast of the first series with a contiguous one-hour broadcast of episodes 24 and 25 on Saturday, July 28, 2007. [13] The immense popularity of Code Geass: Lelouch of the Rebellion followed with the development of its sequel, Code Geass: Lelouch of the Rebellion R2 (コードギアス 反逆のルルーシュR2, Kōdo Giasu Hangyaku no Rurūshu Āru Tsū), which was first announced on the March 2007 issue of Newtype and later confirmed by Sunrise producer Yoshitaka Kawaguchi on the series' official staff blog on March 9, 2007.
The two are victorious and are offered to live in a world that centers around games. They accept, believing it to be a joke, and are summoned to a reality known as Disboard. [Jp. 1] There, a spell known as the Ten Covenants prevents the citizens of Disboard from inflicting harm on one another, forcing them to resolve their differences by gambling with games whose rules and rewards are magically enforced. In-game, rule enforcement only occurs when the method of cheating is
acknowledged and outed by the opponent,
allowing players to cheat through discreet methods. Sora and Shiro traverse to Elkia,[Jp.
