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As a character, I felt that Kiyotaka was an interesting character whose dual nature in the form of his two different personalities are what actually define him. The contrast between the two different personalities I felt were well done and while some of the traits of the two do pass between the two personalities from time to time like his fast thinking nature it’s when we see Kiyotaka in his true personality that his character truly shines. While Kiyotaka may have villainous tendencies due to his manipulative personality it’s important to note that this is a result of having an in-depth knowledge and understanding of how the real world actually works. Overall the character of Kiyotaka I felt was a well-designed one that showed that careful observation and rational decisions along with a little manipulation can ensure that what they all hold dear can be protected. I felt that Shouya Chiba actually did an excellent job in his first main roles for me.
Suzune
Suzune Horikita voiced by new seiyuu Akari Kito is one of the main characters of the series and is the main heroine of the series.

[10][3] Anime Reception 1999 Series The first Hunter × Hunter anime series has enjoyed much more modest popularity than its manga source. Newtype listed it as having a Japanese television rating of 10. 5 for the fourth quarter of 2000. [140] The show's viewership was ranked number six among the top ten anime television series in Japan for February 2001. [141] The series was voted as the 16th best anime of 2000 in the Animage Anime Grand Prix, but rose to fourth place the following year. [142][143] In 2001, the staff of the magazine listed Hunter × Hunter as the 94th most important anime of all time. [144] In a 2006 web poll conducted in Japan by the network TV Asahi, the Hunter × Hunter television series was voted 28th best anime of all time. [145] In 2010, Mania. com's Briana Lawrence listed Hunter × Hunter at number nine of the website's "10 Anime Series That Need a Reboot". [146] Critical reception for the first Hunter × Hunter television adaptation has been generally favorable. Miyako Matsuda of Protoculture Addicts, Carl Kimlinger of the Anime News Network (ANN), and Derrick L.

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Daichi Narukami (成神 大地, Narukami Daichi) Voiced by: Tarusuke Shingaki[6] Yōta and Sora's father. Media[edit] Anime[edit] The Day I Became a God is the third original anime series from visual novel developer Key's Jun Maeda and Na-Ga, in collaboration with Aniplex and P. A. Works, after Angel Beats! (2010) and Charlotte (2015). On April 19, 2019, P. A. T (2020) Destiny Lovers (2020) Rent-A-(Really Shy!)-Girlfriend (2020) As a Reincarnated Aristocrat, I'll Use My Appraisal Skill to Rise in the World (2020) I Was Reincarnated as the 7th Prince so I Can Take My Time Perfecting My Magical Ability (2020) Jūjika no Rokunin (2020) Wind Breaker (2021) Backstabbed in a Backwater Dungeon (2021) The Fragrant Flower Blooms with Dignity (2021) The Classroom of a Black Cat and a Witch (2022) Tokyo Revengers: A Letter from Keisuke Baji (2022) Alya Sometimes Hides Her Feelings in Russian (2022) My Deer Friend Nokotan (2023) Gendai Teni no Daini Ōji (2024) Finished Daiya no B! 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The point I’m trying to make is, given the inconsistent handling of the characters and loose definition of what constitutes character development, I think the target audience would find it difficult to connect to any of these characters in an impactful way after the show concludes.
The expected prompt from the shows’ most ardent supporters would be:
“You completely missed these tiny moments all adding up. It’s deep, actually, the characters don’t have obvious growth because they aren’t obvious archetypes! Look at all these metaphors you’re ignoring!”
Yes, this is a show where a lot of context is very blink or you’ll miss it. Every episode is more or less its own story with a distinct message. You never know what you’re gonna get and I don’t intend to spoil that here. It can be pretty fun trying to break the individual messages of episodes, but a lot of these focusing choices, which I know exist the way they are because of Sonny Boy’s anime-original status, are easy to be overshadowed by the influx of lore, as well as Natsume’s visual direction.
Sonny Boy’s at least a show that’s easy to appreciate on a stylistic level. Eguchi Hisashi, who hasn’t designed anime characters since the turn of the millennium, created a very distinctly designed cast in spite of their similarities from the head down. The way characters’ faces look avoids following the lazy expectation for modern anime art direction. Most episodes have some sort of impressive visual flex, like Episode 2 with the atmosphere established by the paper-looking blue fire, though particularly Episode 5 and Episode 8 for their specific style of animation and shading when distinguishing the mental realms.