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"[72] Writing for The Japan Times, Matt Schley said "For many readers, Akira was a revelation. Each panel features a head-spinning amount of detail, and Otomo, an avowed film buff, keeps things moving at a breathless, cinematic pace. "[72] In her book The Fantastic in Japanese Literature, Susan J. Napier described the work as a "no holds barred enjoyment of fluidity and chaos". [74] Akira cemented Otomo's reputation and the success of the animated adaptation allowed him to concentrate on film rather than the manga form in which his career began. [6] Katherine Dacey of MangaBookshelf called Akira one of manga's "greatest sci-fi epics. "[75] She also noted how Tetsuo and Kaneda seem like real teenage boys in the manga, not generic action figures like in the film's "grossly" simplified depiction of their relationship. Although stating that Akira's plot was still as topical as ever in the year 2009, Dacey felt that the art had not aged as gracefully. [75] In his reviews of the first three volumes of Akira, Mark Pellegrini of AIPT Comics strongly praised Otomo's art as "simple, but very lively" and called him a master at drawing architecture. [76][77] Pellegrini reviewed the series by making many comparisons to the animated film adaptation, calling the characterizations in the manga both "better and on par" with those in it. [76] Anime News Network had four writers review Kodansha USA's 35th Anniversary box set of Akira.
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