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This is a great disservice to Steins;Gate. Where Steins;Gate spent nearly half its runtime developing the setting and its characters before asking the audience to empathise with and feel for them, Re:Zero does so immediately and does not ever ask for consent. It never develops its setting in any meaningful way-- about all you know for the duration of the story is that it is generic fantasy-land where people hate witches and bad things happen all the time-- and it throws death and gore at the viewer from the very first episode, when nobody even knows or cares about who Subaru is. It is shocking to see major characters die within the first episode, to be fair, but it no longer feels shocking the second, third or eleventh time.
If there was any consequence to these events, it is immediately brought to nothing by the show's contrived gimmick of rebirth and time-travel. It doesn't really matter if someone does die, as time will conveniently bend backwards for Subaru's sake-- never to the beginning, and always to the last major event in the story. There is no cost and no meaning to anything that happens. Subaru's mistakes are immediately erased upon rebirth, and he can go on about his day with nothing but his own guilt holding him back. He is the God of his story and the world is his playground.
What Re:Zero does to compensate for this is killing its characters off in increasingly brutal ways. They will lose their limbs, be hacked to death by chains or tortured to the point where they no longer resemble a human being.

The next evening, as Yashiro goes with some people from the Child Consultation Center to investigate Kayo's house, Kayo tells Satoru and the others about the previous night's intruder. Looking into a rucksack that was left behind, they find tools that Satoru recognizes as the ones used to implicate Yuuki for Kayo's murder, as well as a briquette presumed to belong to the killer. Realizing he is still stuck in the loop of abduction murders, Satoru takes Kayo to spend the night at his house, where Sachiko had been expecting them. The next day, Kayo has her first home-cooked breakfast in her life, leading her to start crying. Satoru and Sachiko later accompany Kayo back to her house to confront Akemi. 9"Closure"
Transliteration: "Shūmaku" (Japanese: 終幕)Tomohiko ItōTaku KishimotoMarch 4, 2016 (2016-03-04)[48] As Akemi reacts violently to the accusations of Satoru and Sachiko, she is caught red-handed by Yashiro and the consultants, who suggest that Kayo be taken into custody.

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"Disposition" (性癖, Seiheki) 145. "Born Slippy" 146. "Final Match-up" 147. "Last Attack" (終撃, Shūgeki) 148. "Declaration" (宣言, Sengen) 149. "Complete" (計画完遂(コンプリート), Konpurīto) 18 March 17, 2022[51]978-4-06-527288-6March 21, 2023[52]978-1-68-491854-6 150. "Holiday" (休暇, Kyūka) 151. "Changing World" (変わる世界, Kawaru Sekai) 152. "Restart" (再始動, Saishidō) 153. "Environment" (環境, Kankyō) 154. "Master" (指導者(マスター), Masutā) 155. [46] Weapons[edit] The guns on the show were chosen by the director, Watanabe, and in discussion with set designer, Isamu Imakake, and mechanical designer, Kimitoshi Yamane. Setting producer, Satoshi Toba said, "They talked about how they didn't want common guns, because that wouldn't be very interesting, and so they decided on these guns. "[47] Distribution[edit] Broadcast[edit] See also: List of Cowboy Bebop episodes Cowboy Bebop debuted on TV Tokyo, one of the main broadcasters of anime in Japan, airing from April 3 until June 26, 1998. [48] Due to its 6:00 p. m. timeslot[49] and depictions of graphic violence,[50] the show's first run only included episodes 2, 3, 7 to 15, 18 and a special.