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3Anime 2. 3. 1Original video animations 2. 3. 2Compilation films 2. 3. 1Anime theme songs 2. 4Video games 3Reception 4See also 5References 6External links Toggle the table of contents Hajime no Ippo 22 languages العربيةCatalàČeštinaDeutschEspañolفارسیFrançais한국어Bahasa IndonesiaItalianoBahasa MelayuNederlands日本語Norsk bokmålNorsk nynorskPolskiPortuguêsРусскийTagalogไทยTürkçe中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version From Wikipedia, the free encyclopedia Japanese manga series and its adaptation "Ippo" redirects here. For the video game music composer, see Ippo Yamada. Hajime no IppoFirst tankōbon volume cover, featuring Ippo Makunouchiはじめの一歩GenreAction[1]Comedy[1]Sports[1] MangaWritten byGeorge MorikawaPublished byKodanshaEnglish publisherUS: Kodansha (digital)ImprintShōnen Magazine ComicsMagazineWeekly Shōnen MagazineDemographicShōnenOriginal runOctober 11, 1989 – presentVolumes140 (List of volumes) Further information Anime television seriesDirected bySatoshi NishimuraProduced byHiroshi YamashitaMitsuru OhshimaManabu TamuraMasao MaruyamaWritten byTatsuhiko UrahataMusic byTsuneo ImahoriStudioMadhouseLicensed byNA: Geneon (former)Discotek Media (current)Original networkNippon TVOriginal run October 4, 2000 – March 27, 2002Episodes76 (List of episodes) Anime television filmHajime no Ippo: Champion RoadDirected bySatoshi NishimuraProduced byHiroshi YamashitaManabu TamuraMasao MaruyamaWritten byKazuyuki FudeyasuMusic byTsuneo ImahoriStudioMadhouseLicensed byNA: Geneon (former)Discotek Media (current)Original networkNippon TVReleasedApril 18, 2003Runtime90 minutes Original video animationHajime no Ippo: Mashiba vs. KimuraDirected byHitoshi NanbaProduced byHiroshi YamashitaManabu TamuraMasao MaruyamaWritten byTatsuhiko UrahataMusic byTsuneo ImahoriStudioMadhouseLicensed byNA: Discotek MediaReleasedSeptember 5, 2003Runtime60 minutes Anime television seriesHajime no Ippo: New ChallengerDirected byJun ShishidoProduced byToshio NakataniManabu TamuraWritten byKazuyuki FudeyasuMusic byYoshihisa HiranoStudioMadhouseOriginal networkNippon TVOriginal run January 6, 2009 – June 30, 2009Episodes26 (List of episodes) Anime television seriesHajime no Ippo: RisingDirected byJun ShishidoProduced byToshio NakataniManabu TamuraTomohiro ShindoWritten byKazuyuki FudeyasuMusic byYoshihisa HiranoTsuneo ImahoriStudioMadhouseMAPPALicensed byCrunchyrollOriginal networkNippon TVOriginal run October 5, 2013 – March 29, 2014Episodes25 (List of episodes) Related media Hajime no Ippo video games Anime and manga portal Hajime no Ippo (はじめの一歩, lit.

Just below that it reads "Ticket Confirmation#:" followed by a 10-digit number. This 10-digit number is your confirmation number. Your AMC Ticket Confirmation# can be found in your order confirmation email. Akira videos Akira: Trailer 1 Akira: Trailer 1 TRAILER 0:55 View All Videos Akira Photos Akira (1988) Akira (1988) See all photos Movie Info In 1988 the Japanese government drops an atomic bomb on Tokyo after ESP experiments on children go awry. In 2019, 31 years after nuking the city, Kaneda, a bike gang leader, tries to save his friend Tetsuo from a secret government project. He battles against anti-government activists, greedy politicians, irresponsible scientists and a powerful military leader until Tetsuo's supernatural power suddenly manifest. A final battle is fought in Tokyo Olympiad exposing the experiment's secrets. Show Less Show More Rating: R (Graphic Violence|Brief Nudity) Genre: Sci-fi, Anime Original Language: Japanese Director: Katsuhiro Ohtomo Producer: Shunzo Kato, Ryôhei Suzuki Writer: Izou Hashimoto, Katsuhiro Ohtomo Release Date (Theaters): Jan 1, 1988 wide Rerelease Date (Theaters): Mar 30, 2001 Release Date (Streaming): Nov 12, 2013 Box Office (Gross USA): $390. 0K Runtime: 2h 4m Distributor: Streamline Pictures Production Co: Akira Committee Company, Ltd. Sound Mix: Surround, Dolby Stereo Aspect Ratio: Flat (1. 85:1) Cast & Crew Mitsuo Iwata Shôtarô Kaneda Voice Nozomu Sasaki Tetsuo Shima Voice Mami Koyama Kei Voice Tessho Genda Ryûsaku Voice Hiroshi Otake Nezu Voice Kôichi Kitamura Priestess Miyako, Council A Voice Yuriko Fuchizaki Kaori Voice Masaaki Ôkura Yamagata Voice Katsuhiro Ohtomo Director Izou Hashimoto Writer Katsuhiro Ohtomo Writer Shunzo Kato Producer Ryôhei Suzuki Producer Sawako Noma Executive Producer Katsuji Misawa Cinematographer Takeshi Seyama Film Editing Shoji Yamashiro Original Music Kuzuo Ebisawa Production Design Yuji Ikehata Production Design Koji Ono Production Design Toshiharu Mizutani Art Director Show all Cast & Crew News & Interviews for Akira 2022 Asian/Pacific American Heritage Month TV & Streaming Calendar 12 Unique Depictions of Tokyo in the Movies Ready Player One Easter Egg Watchlist: What To See Before Seeing Spielberg’s Latest View All Critic Reviews for Akira All Critics (54) | Top Critics (17) | Fresh (49) | Rotten (5) Full Review.

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Matthew Yang King (en) : Appa, le bison d'Aang. (bruitages) Ruy Iskandar (VF : Franck Lorrain) : le lieutenant Jee Ryan Mah : le lieutenant Dang Utkarsh Ambudkar (VF : Michel Prud'homme) : le roi Bumi, souverain de la cité d'Omashu. Elizabeth Yu (en) (VF : Camille Timmerman) : la princesse Azula Thalia Tran (en) : Mai, proche d'Azula, artiste martiale dans le maniement des couteaux et amour d'enfance de Zuko. Momona Tamada (VF : Amandine Hauguel) : Ty Lee, proche d'Azula, artiste martiale, gymnaste et bloqueuse de Chi. Invités[modifier | modifier le code] Maria Zhang (en) (VF : Ludivine Maffren) : Suki, leader des guerrières de l'île Kyoshi. A Martinez (VF : Jean-Claude Donda) : Maître Pakku, maître de l'eau de la tribu de l'eau du Nord. Amber Midthunder (VF : Emmylou Homs) : la princesse Yue, prêtresse de la tribu de l'eau du Nord. Yvonne Chapman (en) (VF : Ingrid Donnadieu) : Kyoshi, une des avatars. Incarnation de la terre précédant Roku. Tamlyn Tomita (VF : Anne Rondeleux) : Yukari, dirigeante de l'île Kyoshi et mère de Suki. C. now, things wouldn't have turned out like this!" (To his father) "It's fine if you're the same as you've been up until now. All I want is that when we get to meet up every now and then, don't give me lectures. from now on, tell me about your past instead, dad. " (To Sarada about his goal for the future) "When you become Hokage, I'll be your right hand man.
Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness. Cid is seemingly incapable of going ten minutes without making a remark akin to, “At a time like this, X would happen!” or “Doing Y would be so awesome!” These moments are meta humor at its most flaccid, requiring no creativity to make its point. The goal is to be funny and double down by committing what’s tantamount to beating a dead horse, when being unfunny and doubling down only succeeds in compounding the problem.
The show’s insistence on its meta humor tries to function both comedically and dramaturgically. In having Cid make all these remarks, it attempts to paint him as being more keenly aware of what is transpiring, both in the heat of the moment and in the overarching saga that plays out in the overall world, bolstered by his sheer magical and physical power. In emphasizing the brooding aesthetic, punctuated by its dark colors and mood lighting, as well as the occasional action phrase (I will indeed give props to the line “I am atomic,” as it was as grand and dumbly epic as Cid himself thought it to be). Cid is portrayed as being consistently “cool” and slick. The “Rule of Cool” is fine for an occasional indulgence, but to make it a part of the show’s framework is a dangerous game.