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Mikaszewski. "Measuring severity of tinnitus with a visual analog scale. " Am Fam Physician 71. 5 (2005): 855–856. ^ Baird, Albert Craig; Thonssen, Lester; Braden, Waldo Warder; Peterson, Owen (1942). Representative American Speeches. H. W. Wilson Company. ^ Beck, Joan (1991-06-03). "AS PC TAKES HOLD, THE LIST OF 'ISMS' GROWS LONG AND SILLY".

[45] In Asia, the film began screening on March 2, 2023, in Hong Kong, Taiwan, and Macau;[46][47] March 8 in Indonesia,[48] the Philippines,[48] and South Korea;[49] March 9 in Malaysia and Singapore;[48] March 10 in Vietnam;[50] March 24 in China;[51] April 13 in Thailand;[52] and April 21 in India. [53] Singapore-based distributor Encore Films handled distribution in Southeast Asia with the Philippines and Thailand releases were co-distributed through Warner Bros. Pictures. In May 2022, it was announced that Crunchyroll, Sony Pictures, and Wild Bunch International have acquired the film's global distribution rights. Crunchyroll will handle distribution in North America and will partner with Sony Pictures Releasing in territories outside of Asia under the Sony Pictures Releasing International banner, while Sony and Wild Bunch will co-distribute in Europe. [54] A special screening for the film was held on March 1, 2023, at the BFI Southbank in London, with Shinkai himself attending the event. [55] The film had its North American premiere at the New York International Children's Film Festival on March 5. [56] Another special screening was held on April 21, 2023, at PVR Cinemas Citi Mall in Mumbai, which Shinkai attended to celebrate the premiere of the film in Japanese and in the Hindi dub in India. [57] He interacted with media outlets along with his overseas fans and attended a Q&A session. [58] He also participated in a signing event along with Denki Amashima, the illustrator for the manga adaptation. This was his second visit to India; he previously visited the country during the premiere of his film Weathering With You in 2019.

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Viz Media. 12. ^ a b c d e von Feigenblatt, Otto F. (July–December 2012). "Japanese Animation as a Global Product: The Lingering Traces of Nijonjinron and the Rise of Globalism and Hybridity". Journal of History & Social Sciences. 3 (2): 1–14. SSRN 2195562. ^ Kubo, Tite (2004). "Chapter 6". Bleach, Volume 1. I personally believe that Made . in Abyss is an anime and manga that will ring throughout time as one of the best classics to come out in recent years.
Why? I’ll tell you.
As said before, Made in Abyss has a staff of people running it that always checks to make sure that every episode is doing great, always trying their hardest into their works. A wonderful story, great character chemistry, a harmonious soundtrack, effects, and voice actors, and beautiful, fluid animation. All of that came onto the screen because of such a wonderful staff (except story, for the most part. Credit to the author, Akihito Tsukushi!). Everything about the series was able to grab me and pulled me in like a roped hostage on a train or bank scandal. While that may sound rough, what is truly meant is that, just from the first episode, I could tell that Made in Abyss was going to be great.