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The original-language version of the film has significant amounts of dialogue in both French and Arabic; however, the Arabic was not subtitled in the original French theatrical release and is not intended to be subtitled nor replaced for any other audiences. [2] Plot[edit] Once upon a time there were two children nursed by Jénane: Azur, a blond, blue-eyed son of a nobleman, and Asmar, the tan skinned and dark-eyed child of Jénane. The nurse tells them the story of the Djinn-fairy waiting to be freed from her prison by a good and heroic prince. Brought up together, the two boys are as close as brothers until the day Azur's father cruelly separates them, banishing his nurse and Asmar from his home and sending Azur away to receive schooling from a personal tutor. Years later, Azur is haunted by memories of the legendary Djinn-fairy, and takes it upon himself to journey all the way to Asmar's homeland to seek her out and marry her. Now reunited, he finds that Jénane has since become a successful and rich merchant, while Asmar is now a member of the Royal Guard. However, Asmar and Azur's separation has damaged their bond and Asmar also longs to find and marry the Djinn-fairy. They must learn to work together and get along again, but only one of the two princes can be successful in his quest. [1] Cast[edit] Cyril Mourali Karim M'Riba Hiam Abbass Patrick Timsit Rayan Mahjoub Abdelsselem Ben Amar Fatma Ben Khell Thissa d'Avila Bensalah Sofia Boutella Olivier Claverie Jacques Pater Tayeb Belmihoub Franck-Olivier Bonnet Carlos Chahine Mohamed Damraoui Michel Elias Bouchra En Nasser Nicolas Lormeau Tassadit Mandi Sonia Mankaï Hamid Nasser Mohamed Ourdache Albert Pariente Lahcen Razzougui Hichem Rostom Mahmoud Said Myriam Tekaïa Djemal Touidjine Hichem Yacoubi Omar Yami Imogen Bailey Sean Barrett Freddie Benedict Leopold Benedict Suzanne David Steven Kynman Nigel Lambert Suzanna Nour Nigel Pilkington Emma Tate Keith Wickham Production[edit] Ocelot describes the visual style of Azur & Asmar, as distinct from his earlier works, as being influenced by French art and Early Netherlandish painting of the 15th century (in particular, Jean Fouquet, the Limbourg brothers and Jan van Eyck), Persian miniatures and Islamic civilization from the Middle Ages until the 15th century and 16th century Safavid art. [4] Release[edit] Azur & Asmar premièred on 21 May 2006 as part of the Directors' Fortnight of the 2006 Cannes Film Festival[1] and was released to French theatres nationwide on 25 October 2006. [5] An English-subtitled version was shown at numerous film festivals including the Montreal Film Festival for Children and Sprockets Toronto International Film Festival for Children – in both cases winning the festival's audience award.
Did the characters react to situations and events in a realistic way?
sometimes and sometimes not but its not a issue
Do you think others will enjoy/dislike this series, even if you didn't? Why?
i think most people will enjoy this but it comes down from person to person if u like time travel genre u will like it most prolly
mdl wont let me publish this unless i answer this questions haaaa. :( Reviewer’s Rating: 10 What did you think of this review? Nice 0 Love it 0 Funny 0 Confusing 0 Informative 0 Well-written 0 Creative 0More reviews by ninetynin (1) Show allRead moreShow lessOpen Gift Report Nov 21, 2023 spicarie Mixed Feelings A Mixed Bag of Emotions
The second season of Re:Zero kara Hajimeru Isekai Seikatsu, also known as Re:Zero - Starting Life in Another World, continues the journey of Subaru Natsuki, an ordinary teenager who finds himself transported to a fantasy world. Armed with the unique ability to rewind time upon death, Subaru faces a series of trials and tribulations as he strives to protect those he cares about.
Unrealistic and Annoying Characters: A Double-Edged Sword
One of the most divisive aspects of Re:Zero is its portrayal of characters, particularly Subaru himself. His constant screaming and over-the-top reactions can be grating on the nerves, especially when juxtaposed against the .