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As for Ryouma himself, there wasn’t much hope for his personality. Being your average isekai protagonist means he can’t manage anything beyond generically “nice” or passive, lest the audience loses the ability to self-insert themselves into him for even a second. There’s some stuff about how he’s dealing with the traumatic experience of his previous life, but it’s only ever briefly mentioned and never gets explored as much as I wanted. Every so often it’d cut back to scenes of Ryouma’s previous life to show how it sucked compared his new one, and I’d actually get a bit more invested. I’d have liked if the show jumped back and forth between his two lives more often, but instead we had to watch him scrub a sewer or walk around some mines or something. It reminded me of Youjo Senki – where I was all on board for the theological pissing match between a cynical salaryman and “God”, but the show kept interrupting that with the forgettable magic WW1.
Archived from the original on March 4, 2016. Retrieved November 15, 2014 – via Livedoor News. ^ "月刊ビッグガンガン". Monthly Big Gangan (in Japanese). Vol. 11, no.
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