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The Transformers: The Movie. Glaringly Animesque visuals by Toei Animation made even more noticeable by the TV series switching from Toei to AKOM immediately afterward. Technotise Edit I Ja is clearly
anime-influenced in both style and subject matter, the first Serbian film to be so. Ever since The Little Mermaid was released into theaters in the late 1980s, at the same time anime was beginning to show up in the United States, many of Disney's later films started to
incorporate anime-influenced elements into their character designs, particularly the size and shape of their eyes. Just compare Snow White's eyes with those of Tiana's! The Cars Japanese cars and scenes in Japan lean into anime-ish, with the size and shape of the eyes, Gratuitous Japanese phrases being tossed around, and a drift race involving literal Car Fu with ninjas. Bolívar, el Héroe: The designs are drawn in manga style to appeal to younger audiences, since anime series like Saint Seiya and Dragon Ball Z were quite popular then. The Mexican film The Guardians of the Lost Code Poet Anderson: The Dream Walker is influenced by anime with its character designs and fluid action, though there's still western animation design cues in the characters. Interviews with the creators show it's intentional and classics like AKIRA were cited as influences. South Park: Bigger, Longer & Uncut naturally spoofs anime with the Dragon Ball Z-esque battle between Cartman and Saddam near the end, complete with motion lines and odd camera angles. It even uses genuine DBZ sound effects. Exchange Student Zero revolves about two students from
Australia who frequently play with cards from a card-based anime.
^ "「MTV VMAJ 2023」各部門の受賞作品発表!". MTV Video Music
Awards Japan. Archived from the original on
October 27, 2023. Retrieved October 27, 2023. ^ ニュータイプアニメアワード2022-2023結果発表、作品賞は「ぼっち・ざ・ろっく!」&「劇場版ソードアート・オンライン」. GIGAZINE (in Japanese).
» Pour Libération, Didier Péron écrit : « Le forçage sentimentaliste et la fibre Cosette tendue à claquer est
emporté par le style de Takahata[19]. » Pour Slate, par rapport au révisionnisme au Japon, Antoine Bourguilleau remarque que ce film est emblématique des fictions japonaises sur la Seconde Guerre mondiale qui ne se concentrent que sur les souffrances japonaises et ignorent ou dénient les souffrances causées aux autres peuples des nations attaquées[20]. Distinctions[modifier | modifier le code] Année Récompense Catégorie Résultat Attribution 1989 Blue Ribbon Awards Special Award Lauréat Isao Takahata 1994 Chicago International Children's Film Festival Animation Jury Award Lauréat Isao Takahata Rights of the Child Award Lauréat Isao Takahata Notes et références[modifier | modifier le code] (en) Cet article est partiellement ou en totalité
issu des articles intitulés en anglais « Grave of the Fireflies » (voir la liste des auteurs) et « Grave of the Fireflies (novel) » (voir la liste des auteurs). ↑ (en) Roger Ebert, « Grave of the Fireflies movie review (1988) | Roger Ebert », sur rogerebert. com/ (consulté le 24 novembre 2020). ↑ (en) « The 50 best World War II movies », sur Time Out London (consulté le 24 novembre 2020). ↑ « Le Tombeau des Lucioles », sur planete-jeunesse. com (consulté le 6 avril 2023). ↑ « The Animerica Interview: Takahata and Nosaka: Two Grave Voices in Animation », VIZ Media, vol. 2, no 11, 1994, p. 8 (lire en ligne [archive du 4 juillet 2018]).
