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The epilogue, along with coverage of the event, was reprinted in the February 2005 issue of Switch magazine. Anime[] Main article Anime Cover of the first DVD from Slam Dunk published by Geneon and Toei Animation. An anime series, consisting of 101 episodes, was produced by the TV Asahi terrestrial television network and Toei Animation and directed by Nobutaka Nishizawa. It was first aired on TV Asahi from October 16, 1993 to March 23, 1996. It was later aired on the satellite television network, Animax, in addition to four animated movies produced. The anime follows the manga storyline, but leaves out the National Tournament games.

After Donkey is reported to have committed suicide, Kenji stumbles upon a large cult led by a man known only as "Friend". With current events beginning to resemble actions from the Book of Prophecy, Kenji and his former classmates try to remember who knows about the book. They find more events unfolding such as bombings and virus attacks in San Francisco, London, and a major Japanese airport. Kenji and his former classmates eventually uncover a plan to destroy the world on New Year's Eve of 2000, referred to in the latter part of the story as the Bloody New Year's Eve, with the use of a "giant robot", which is later revealed to be a giant balloon with robotic appendages, which spreads the virus throughout the city as well as other cities. Kenji manages to get inside the robot to plant a bomb, but is presumed dead when it explodes. From this event, the members of the Friendship Democratic Party (友民党, Yūmintō) gain widespread political popularity and power by presenting a vaccine that counters the virus, and thus take all the credit for saving the world. Fourteen years after Bloody New Year's Eve, Kanna is a teenage girl who works at a Chinese restaurant. After she tries to defuse some interaction between various mafia groups, she discovers that a patron's friend had witnessed a Chinese mafia member get killed by a corrupted policeman. The mafia member mentions an assassination attempt on the Pope as he visits Japan. She then finds herself being hunted by members of the Friends while trying to unite the mafia groups to her cause. Meanwhile, Otcho manages to escape a maximum security prison.

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Kamogawa found Ippo punching the sandbag and questioned as to why he was doing that. Ippo explained that after he lost to Date and learned the Dempsey Roll, he lost his left punch, which Miyata and Mashiba used whenever they were in trouble and he used a strategy with the Dempsey Roll that went against Kamogawa's teachings of "hit before getting hit", making him realise that losing was inevitable. However, Kamogawa thought otherwise and told him how he set aside his left to achieve victory with his Dempsey Roll. Ippo expressed how he realised he should use his jab and then his Dempsey Roll, getting thoughts of returning, but was stopped by Kamogawa, who wanted Ippo to teach his two students everything he knows as he could become a great leader. Ippo acknowledged that Kamogawa was praising him instead of scolding him because he is no longer a boxer, angrily hitting the sandbag. Ippo doing a review of his style. Later, Ippo and his two students went to the Roigal Hotel to attend Takamura's press conference for his second WBA and seventh WBC middleweight title defence against Michael Goat, where Takamura announced he would move from the middleweight to the super middleweight class after the match. Afterwards, Ippo explained that he, Taihei, and Kintarō would act as support with Kamogawa, Yagi, and Shinoda, and ordered his students to no take their eyes off Takamura for even a second. The next day, Ippo went to the Ryōgoku Kokugikan and stayed near the ringside with Takamura's seconds and his two students as Takamura went up against Goat. After watching Takamura win with skilful lefts, he believed that that should be how he throws lefts, realising his learning will never stop as long as he is involved with boxing. At home, Ippo reviewed how he used to use lefts and how he used to only wait for a chance to step forward by dodging and slipping in, which he did more when he learned the Dempsey Roll and was punished for it in his match against Kojima. Vegapunk makes a note of. Luffy thanks S-Snake once again (which she misinterprets as a confession of love, much like how the real Hancock would), while Atlas tells Dr. Vegapunk that she still cannot open the Frontier Dome, which means they are still trapped. York smugly tells them that she locked everything with a password that she has shared with none of them. Stussy tells Dr. Vegapunk that they are surrounded as he talks to Nami, telling her that they should head in one of the directions her Log Pose recorded in Wano.
[37] The film review aggregator website Rotten Tomatoes reported a 100% approval rating based on 43 reviews with an average rating of 9. 30/10. The website's critical consensus reads: "An achingly sad anti-war film, Grave of the Fireflies is one of Studio Ghibli's most profoundly beautiful, haunting works. "[49] Metacritic assigned the film a score of 94 out of 100 based on 16 reviews, indicating "universal acclaim". [50] Filmmaker Akira Kurosawa praised the film and considered it his favourite Ghibli production. He wrote a letter of praise to Hayao Miyazaki, mistakenly believing he directed Grave of the Fireflies. Miyazaki himself praised the film as Takahata's masterpiece, but criticized Seita for not behaving how he believes the son of a navy lieutenant should behave. [51] The film ranked number 12 on Total Film's 50 greatest animated films. [52] It was also ranked at number 10 in Time Out's "The 50 greatest World War II movies" list. [53] Empire magazine ranked the film at number 6 in its list of "The Top 10 Depressing Movies". [54] The film ranked number 19 on Wizard's Anime Magazine on their "Top 50 Anime released in North America".