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Arthur invites them to help her defeat Wethermon in two weeks, the day after a massive update that adds new missions, characters and areas to explore. Rakuro is suspicious of her motives. In the real world, Rei is able to speak to Rakuro, who barely remembers her name or that they attend the same school. Before she can reveal she is Psyger-0, Rakuro rushes off to meet Arthur, but Rei considers talking to him at all a big success. Emul is terrified Rakuro plans to fight Wethermon and rushes to tell Vysache. Rakuro later learns why from Arthur; in Shangri-La if an NPC dies they are dead and gone permanently, Emul will never respawn and her role in the unique Vorpal scenario will be over. 11"The Glimmer of Truth"Transliteration: "Makoto no Kagayaki" (Japanese: まことのかがやき)Ayumi KurashimaKazuyuki FudeyasuTakebumi AnzaiDecember 10, 2023 (2023-12-10) Vysache is unhappy with Rakuro's plans, but Rakuro explains Ashura Kai are exploiting a game mechanic; harvesting experience by starting a fight with Wethermon, then running away without actually fighting. Arthur plans to give Wethermon the fight he deserves. Vysache feels sympathy for Wethermon, cursed with being undead and unable to join his wife in the afterlife, so instead Wethermon guards her tomb. Granting him death is therefore honorable and true to the Vorpal Soul. Vysache takes Rakuro's Vorpal Chopper knives and personally “ascends” them, combining Rakuro's experience of fighting Lycagon with the armor of the Quad Beetle, resulting in the Vorpal knives Moonblade (Waxing) and Moonblade (Waning), one which sacrifices health for powerful strikes, and one that restores health at the same speed as it is lost.
Outside of banter, the writing is subpar. Including, but not limited to:
The characters aren’t developed and act nonsensically at times, like when an entire family barely flinches in response to their relative getting killed after being revealed as a murderer.
The dialogue often exists to dump plot points on the audience with no regard for how natural it is to actually say those things at the moment.
Old-timey murder mystery cliches, like telling a person’s entire life story based on the stains on their clothes, are mindlessly reproduced without anything meaningful done with them.
An abject failure of the murder mystery element, it’s full of contrivances and plot convenience. It even commits the biggest sin of detective fiction: not telling the audience all the information necessary to solve the case. For example, the circumstances of one murder depend on the mansion’s layout - a layout that wasn’t actually shown at any point before the reveal.
Every single memetic XIX-century character (Sherlock Holmes, etc. ) in existence is vomited into the same story arc with no sense of restraint.
Gratuitous battle shonen cliches, a character can’t just be a demon slayer by himself, he has to be a member of a special Demon Slayer Corps full of nakamatachi with distinct silhouettes straight from Kimetsu no Yaiba. The series gets progressively more battle-shonen-esque as it goes.