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Anime News Network. Archived from the original on June 30, 2017. Retrieved January 9, 2020. ^ Nelkin, Sarah (July 19, 2013). "3rd Season of Hajime no Ippo Anime Green-Lit". Anime News Network. Archived from the original on July 15, 2020. Retrieved July 14, 2020. ^ A True Hero Plus Stage Ver. stage play: Hodgkins, Crystalyn (December 19, 2020). "My Hero Academia Stage Play Gets New Run in 2021".

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Kimura further stated that she felt the topic was portrayed with no consideration for real-life cyberbullying victims. [102][103][104] The series' English licensor, Sentai Filmworks, added an advisory message to the end of the episode providing the phone number to the National Suicide Prevention Lifeline on its streaming service, Hidive. [105] Footnotes[edit] ^ Stylized in romaji as 【OSHI Nの KO】 ^ Ayase credited as nominee. References[edit] ^ a b Colbert, Isaiah (March 22, 2023). "Your Spring 2023 Anime Guide: What To Watch And Where It's Streaming". Kotaku. Retrieved January 4, 2020. ^ Brzeski, Patrick (May 16, 2022). "How Japanese Anime Became the World's Most Bankable Genre". The Hollywood Reporter. Archived from the original on December 6, 2022. San Magnolia[edit] Henrietta "Annette" Penrose (アンリエッタ・ペンローズ, Anrietta Penrōzu) Voiced by: Riho Sugiyama[10] (Japanese); Morgan Lauré[11] (English) One of Lena's few friends in the San Magnolia military. She works in the Research Division, specializing in the "Para-RAID" device that allows Handlers to instantly connect with the 86 combatants under their command. The device was partially created by her late father. It is revealed she is Shin's childhood friend and that she still feels guilty for not helping him and his family when the war began, but hides behind a mask of apathy which strains the relationship between her and Lena. Jérôme Karlstahl (ジェローム・カールシュタール, Jerōmu Kārushutāru) Voiced by: Satoshi Mikami[10] A Colonel in the San Magnolia military and a friend of Lena's father. While he cares for Lena like a niece, he at his core is a pessimist and has long been consumed by despair at the situation of the Republic.
"[86] Discussing the story, Rayns found the film "not particularly ground-breaking as science fiction" comparing the film to be between Blade Runner and 2001: A Space Odyssey with the film's main achievement being "the sheer credibility of his vision of future-tech, as seen in fully thorough designs of vehicles, laboratory equipment" and that the film "yields some extremely arresting images in the film's closing scenes" and that "Simply as animation, Akira is an undoubted tour de force. "[87] Variety praises aspects of the film "from the imaginative and detailed design of tomorrow to the booming Dolby effects on the soundtrack" but criticizes the "slight stiffness in the drawing of human movement". [88] Chicago Tribune's Dave Kehr commends Otomo's "excellent animation-specific ideas: Vehicles leave little color trails as they roar through the night, and there are a number of dream sequences that make nice use of the medium's ability to confound scale and distort perspective". [89] From retrospective reviews, Anime News Network's Bamboo Dong commends the Limited Edition's DVD for its "superbly translated" English subtitles and the commendable English dubbing, which "sticks very close to the English translation, and the voice actors deliver their lines with emotion". [90] THEM Anime's Raphael See applauds the film's "astounding special effects and clean, crisp animation". [91] Chris Beveridge comments on the Japanese audio, which brings "the forward soundstage nicely into play when required. Dialogue is well placed, with several key moments of directionality used perfectly". [92] Janet Maslin of The New York Times commends Otomo's artwork, stating "the drawings of Neo-Tokyo by night are so intricately detailed that all the individual windows of huge skyscrapers appear distinct. And these night scenes glow with subtle, vibrant color". [93] Richard Harrison of The Washington Post comments on the pace of the film, stating that the author "has condensed the narrative sprawl of the comics to provide coherence, though there's a bit of "Back to the Future Part II" incompleteness to the story. That hardly matters, since the film moves with such kinetic energy that you'll be hanging on for dear life".