lelscan shingeki no kyojin manga
Premise[edit] See also: List of Saekano characters Tomoya Aki, a male high school teenager who works part-time to fund his otaku lifestyle (light novels, manga, anime, video games like visual novels and
dating sims, and related merchandise) encounters a beautiful girl one day during spring vacation. A month later, he finds out that the girl is his classmate, Megumi Kato, who is hardly noticeable to her classmates. Hoping to create a visual novel computer game, he turns to school beauties Eriri Spencer Sawamura for designing the art, and Utaha Kasumigaoka for writing the game scenario. Tomoya then recruits Megumi to star as the "heroine" (the main character's love interest) of his game, thus forming the development team "Blessing Software", in which the three most renowned students in the school (Tomoya, Eriri, and Utaha) work on one of the least noticeable (Megumi). The series follows their adventures in developing the game and their plans to sell it at the Comiket convention, as well as the emotional entanglements among the team. [4] Publication[edit] Main article: List of Saekano volumes § Light novels Saekano: How to Raise a Boring Girlfriend began as a light novel series written by Fumiaki Maruto,[5] with illustrations provided by Kurehito Misaki. [6] The first light novel volume was published by Fujimi Shobo under their Fujimi Fantasia Bunko imprint on July 20, 2012. [7] In the twelfth volume, Maruto announced that the series would end in the thirteenth volume,[8] which was released on October 20, 2017. [9] As of November 2018, thirteen volumes and two short story collections have been published. Media[edit] Manga[edit] Main article: List of Saekano volumes § Manga A manga adaptation with art by Takeshi Moriki was serialized from
January 9, 2013 to August 9, 2016 in Fujimi Shobo's shōnen manga magazine Monthly Dragon Age. [10][11] It has been collected in eight
tankōbon volumes between August 2013 and November 2016.
Bored of the town, she wishes to be a Tokyo boy in her next life. Soon, she begins to intermittently switch bodies with Taki Tachibana, a boy from Tokyo. On certain days, Taki and Mitsuha wake up in each other's bodies and must live the entire day as the other, reverting when they go to sleep at night. The two set up ground rules for sharing their bodies, communicating via messages on paper, their phones, and their skin. Mitsuha (in Taki's body) sets Taki up on a date with his coworker, Miki Okudera, while Taki (in Mitsuha's body) helps Mitsuha become more popular at school. While in Mitsuha's body, Taki accompanies Mitsuha's grandmother Hitoha and younger sister Yotsuha to the Shinto shrine on a mountain near Itomori, leaving an offering of
kuchikamizake made with Mitsuha's spit. Hitoha
explains that god is the ruler over both time and the connections between humans. Mitsuha tells Taki that the comet Tiamat is expected to pass nearest to Earth on the day of the autumn festival. The next day, Taki goes on the date with Miki in his own body; Miki enjoys the date but says she can tell Taki is preoccupied with someone else. Realizing he is falling for Mitsuha, Taki attempts to call her on the phone but cannot reach her. The body-switching stops as inexplicably as it started.
I'm not
sure where people got the idea
that character interaction equate to character development, but I guess just listening to pointless filler dialogue gives some people a false impression that something must be going on even though nothing is really going on. This is especially noticeable in the episodes where Momonga teams up with a lower class group of adventurers to complete a quest- The show spends several episodes attempting to develop this group of nobodies by giving them cardboard personalities, but in the end it's completely pointless. They're not likable because they haven't really done anything, their interaction with Momonga is pretty bland, and the series makes it clear that they're not important to begin with. And surprise, it turns out they were completely irrelevant. Amazing character development for characters that never mattered with pointless, drawn-out character interaction that did nothing for everyone in the cast.
If all that wasn't enough, the series doesn't even tie itself up properly- The last part of the show involves one of Momonga's minions, who is just as powerful as he is, suddenly being brainwashed through the power of plot convenience because the author thought an actually threatening conflict was needed around this time in the series. Despite taking all the safety precautions with all his power previously, Momonga decides that he needs to make a point about how he's the leader, even though there was absolutely no need for him to do so when all the floor guardians already adore him unquestionably. Basically, Momonga is not very intelligent- Everything goes as he plans because of his raw power and having so many tools to work with- Not because he's actually skilled at strategizing. It also should be noted that this last part of the show was incredibly grating, because the brainwashed minion still sucks up to Momonga while still opposing him. Really, Overlord?
So to summarize what happened in this entire cour: First quarter spends its time on just introductions on characters that have no personality whatsoever outside of all sucking up to Momonga in perfect unison. Second quarter is about Momonga effortlessly beating an army of literal nobodies that won't matter for the rest of the season.
