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Archived from the original on November 11, 2013. Retrieved June 20, 2019. ^ Pineda Antonio, Rafael (September 5, 2022). "Attack on Titan Manga Gets Stage Musical Next January". Anime News Network. Archived from the original on September 29, 2022. Retrieved October 15, 2022. ^ Loveridge, Lyenzee (March 10, 2014). "Attack on Titan Manga Has 31 Million in Circulation". Anime News Network. Archived from the original on July 7, 2014.

gov. tw. Archived from the original on 24 October 2013. Retrieved 15 May 2014. ^ "Monthly Mean". Central Weather Bureau.

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Vol. 1. Viz Media. ISBN 978-1-59116-753-2. ^ Togashi, Yoshihiro (April 1, 2014). "331". Day of Reckoning. Hunter × Hunter. 32. Viz Media. ISBN 978-1-4215-5912-4. "[129] Collins commented that the series has a premise "loosely" comparable to Jujutsu Kaisen, adding, however, that Denji might fit the mold of a shōnen protagonist on paper, but that the mold is "only there to be broken," comparing his "life on the fringes of society" to a "Dickensian parable about the plight of the working class. "[122] Dacey called Denji "a more honest shōnen hero than the typical Jump lead; he thinks and acts like a real teenage boy, right down to his self-absorption and total objectification of women," adding that she could not say she "ever warmed to Denji as a lead character. "[127] Lee commented that the series has an "interestingly goofy contrast between the characters and what's going on," adding that Denji's simple mind and "kind-of-horny instincts" can get tiring at times, but it does not make the series bad, and with the introduction of the "extremely interesting side characters," like Power and Makima, the story "takes a turn for the better. "[123] Its way of handling comedy has also been commented. Tantimedh stated that the series has a "unique sense of deadpan comic timing" that "makes the series unique," adding as well that the series distinguishes itself for its slapstick comedy and that a "deadly earnest" tone might have made the series unreadable. [129] Beckett said that when he read the premise, he took the series at face value as a "goofy nonsense comic, a parody of shōnen manga that primarily exists to push out page-after-page of gross-out gags and gory action," also calling it "a mishmash of raunchy teen sex comedies, Hellboy, and The Evil Dead.