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Edward becomes a State Alchemist, with the title of Fullmetal Alchemist. The Elrics spend the next three years searching for the Philosopher's Stone to achieve their goals. The Elrics are eventually attacked by an Ishbalan serial killer known as Scar, who targets State Alchemists in revenge for his people's genocide in the Ishbalan civil war. Returning to Resembool to have Edward's limbs repaired by their childhood friend and mechanic, Winry Rockbell, the Elrics meet Dr. Marcoh, who provides them with clues to learn that a Philosopher's Stone is created from human souls. They investigate a laboratory in which the Stones were created, but are hindered by the Homunculi.

Considering the sheer degree of prevalence the isekai genre has enjoyed ever since the early 2010s, no doubt because it provides publishers like Kadokawa a lot of money, it makes sense that isekai too would become susceptible to these kinds of remarks from its own works.
But *The Eminence in Shadow* makes the mistake of assuming that being meta is the same as being funny or a worthwhile piece of entertainment. Glimpsing the greater picture, or making casual reference to things that viewers would recognize, is perhaps a short-term solution. But that does not guarantee that the inner substance of the story will be able to stand on its own two feet, either. Within its audience-conscious asides, it attempts to fashion a fantastical story of Cid Kagenou, a fashions-himself-as-the-ultimate-warrior man who attempts to make the best of both worlds, so to speak. Treating his reincarnated situation as the chance to live out his ultimate fantasy, he adopts the moniker of the background everyman archetype on one hand and the “Eminence in Shadow” in the other. Getting involved, investigating, and dispensing his own form of justice when he sees fit, he treats his new environment as a playground rather than being full of actual people with consequences.
Therein lies its initial draw, and its first real gag; take the common thought that many isekai protagonists have (that they’re either dreaming / don’t take their new situation seriously enough), and have it last for the entire show. This gag quickly devolves into overreliance; *The Eminence in Shadow* spends so much of its time with Cid making jokes about the isekai world, drawing upon his knowledge of its conventions and general structure. But the show is confusing its meta remarks for comedic cleverness. Cid is seemingly incapable of going ten minutes without making a remark akin to, “At a time like this, X would happen!” or “Doing Y would be so awesome!” These moments are meta humor at its most flaccid, requiring no creativity to make its point.

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According to multiple respondents, the series helped them treasure and connect with their families and allowed people of different generations to connect even in the workplace and beyond. The poll was responded from November 18–24 by 3,848 members of Oricon Monitor Research, ranging from people in their teens to their sixties. [92] The series helped to increase internal tourism, with many tourists traveling to similar spots to the ones featured in the series. [93][94][95][96] It has been featured in Japanese high school textbooks starting in 2022. [97][98] Regarding the series' sudden huge success, Weekly Shōnen Jump editor-in-chief Hiroyuki Nakano stated that the manga sales shot up straight after its anime adaptation finished, explaining that a large number of people watched the series through streaming services after it ended rather than watching it weekly. Nakano also stated that it is harder for a manga series running in the magazine to become a hit, and Demon Slayer: Kimetsu no Yaiba despite having started in February 2016, did not become a major hit until late 2019, adding that its success "hinged on word of mouth generated after the anime's run". [99] Nakano have also said it introduced many new people and audience into Jump. [100] On December 20, 2020, at the Jump Festa '21, Mayumi Tanaka, voice actress of One Piece's Monkey D. Luffy, read aloud a message from One Piece creator Eiichiro Oda, in which he praised Gotouge's series, and wrote: "At Jump, Demon Slayer was really amazing. I enjoyed how it was able to save the feelings of so many people. Absolutely superb work. 0; additional terms may apply. By using this site, you agree to the Terms of Use and Privacy Policy. Wikipedia® is a registered trademark of the Wikimedia Foundation, Inc. , a non-profit organization. Privacy policy About Wikipedia Disclaimers Contact Wikipedia Code of Conduct Developers Statistics Cookie statement Mobile view Toggle limited content width Dororo - MyAnimeList. net MyAnimeList.