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^ 「幽遊白書」~ミュージックバトル編2 [Yū Yū Hakusho Music Battle
Volume 2] (in Japanese).
Archived from the original on March 23, 2020. Retrieved
December 3, 2009. ^ 「幽遊白書」ミュージックバトル編 3 [Yū Yū Hakusho Music Battle Volume 3] (in Japanese). Archived from the original on March 23, 2020. Retrieved December 3, 2009. ^ 「幽遊白書」~ミュージックバトル編2 [Yū Yū Hakusho Music Battle Volume 2] (in Japanese). Archived from the original on March 23, 2020. Retrieved December 3, 2009. ^ 「幽遊白書」ミュージックバトル編 3 [Yū Yū Hakusho Music Battle Volume 3] (in Japanese). Archived from the original on March 23, 2020.
p. 27. ^ 庵野秀明×上野峻哉の対談. Newtype Magazine (in Japanese). Kadokawa Shoten.
November 1996. ^ Crandol, Mike (June 11, 2002). "Understanding Evangelion". Anime News Network. Archived from the original on December 13, 2017. Retrieved
September 6, 2014.
Her character flaw is that she has trouble communicating. She acts sweet to make everyone around her happy, but she actually does it because she's a spiteful person underneath. Like most of the cast, she narrates her thoughts and puts herself down because she lacks self-worth for unknown reasons. She hides her emotions for the sake of others to not be a bother. Aside from Very Original character writing, this doesn't make her unique. Everyone in the show is terrible at communicating—not because this is true to actual high school students, but because it's repetitive writing. It's never a mystery what a character is thinking, and if you can't tell, the directing makes it even simpler.
When they don't know how to communicate the characters' thoughts, they just put a text box on-screen. Adapting a manga involves more than copying and pasting panels—you
creatively develop ways to show emotions through body language, music,
camera angles, and editing. The extent of Horimiya's visual storytelling is by focusing on a character, slow motion, changing the backdrop to a white wall, and adding a colorful shadow. The first time, it was unique.
