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As both a local and an orphan who seemingly lost her mother in a natural disaster, Suzume’s intimately familiar with the immediate devastation that earthquakes can cause and how they can be felt metaphorically reverberating through people’s lives long after the ground stops shaking. But as much time as Suzume spends thinking and dreaming about her past, most of the adults in her life — like her loving, slightly overbearing aunt Tamaki (Eri Fukatsu, Jennifer Sun Bell) — have to keep their eyes focused on the future because it’s integral to their idea of productivity and happiness. Most of Suzume’s peers simply don’t have or want to make the time to think about how landslides have led to massive portions of their town being made unlivable and left to crumble into ruins that people don’t really think about because they’re out of sight. But when Suzume crosses paths with a mysterious and devastatingly handsome out-of-towner named Sōta (Hokuto Matsumura, Josh Keaton) who asks her specifically about a nearby abandoned building, she can’t help but be intrigued and curious about what he’s up to. As tends to be the case in Shinkai’s films, a fledgling infatuation is part of what pulls Suzume’s leads into each other’s orbits. But what gets Suzume racing up a steep hill toward the ruins isn’t a desire to see Sōta; it’s a horrific vision she has of a massive worm-like creature made of smoke bursting into the sky — something that only she can see for some inexplicable reason. Shinkai’s love for Hayao Miyazaki and his approach to fantastical adventure storytelling is palpable and visible all throughout Suzume. But narratively, it shines through most brightly in the way that Suzume’s chance encounter with Sōta brings her face-to-face with a door to another dimension — and a trickster cat deity called Daijin (Ann Yamane, Lena Josephine Marano) who’s more than happy to leave the door open and let the worm monster try to cross over into Japan. In one of Suzume’s first shifts toward action that really speaks to how wondrously studio CoMix Wave Films is able to bring Shinkai’s ideas to life, there’s barely any time for Sōta to explain what the worm is or how he’s part of a long line of “closers” who’ve worked to keep its tendrils from crashing into the Earth and causing earthquakes. Suzume’s a quick enough student, though, and after she and Sōta manage to close the first portal, it isn’t long before she decides that she absolutely needs to accompany him on his journey to close more of them and make Daijin return to his post as a guardian keystone statue. In the same way that it was easy to read Shinkai’s Weathering With You as a reflection of what it means to live in a world upended by extreme climate change, in Suzume, you can clearly see Shinkai grappling with the Great East Japan earthquake of 2011 that killed nearly 20,000 people, injured thousands more, and caused catastrophic damage across the country.72023Skal - Fight for Survival4. 72022The OctoGames52022Agent Game6. 92024Soixante minutes7. 52023Pauvres créatures6. 82024Underground Fights5. 12022I viaggiatoriSéries les plus populaires6. 62024Griselda7. 42024Double piège6. 22024Echo8. 12024Masters of the Air6. 12024Mr & Mrs Smith82024Les Frères Sun6.
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