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[79] Compilation film (2022)[edit] Main article:
Fruits Basket: Prelude The 2019 series received a compilation film titled Fruits Basket: Prelude, which premiered theatrically in Japan on 18 February 2022. It recaps the 2019
anime series, and includes a prequel episode titled Kyо̄ko to Katsuya no Monogatari that focuses on Tohru's parents, and an original story written by Takaya set after the series. [80][81] The film's theme song is "Niji to Kite" ("Rainbow and Kite") by Ohashi Trio. [82] The film had a 3-day theatrical release with both a subbed and a dubbed version starting on 25 June 2022 in the United States and Canada, and ran on 25 June 28 June, and 29 June respectively. Additionally, the film had a 1-day release with the English dub only in the United Kingdom on 20 July 2022. Crunchyroll distributed both versions. [83] Other media[edit] In 1999, the magazine Hana to Yume released a special Fruits Basket drama CD which had a four-chapter original story and short talk sections between each section. Released before the anime came out, this CD had a completely different voice cast. The CD was a promotional item with a limited run and is now unavailable. [84] As well as the drama CD, there have been two
music CD releases of Fruits Basket to coincide with the anime adaptation, Memory for You and Four Seasons (also known as Song for Ritsuko Okazaki). Natsuki Takaya has created one art book and two fan books for Fruits Basket.
Suk and Grimmer hide out in an abandoned building, but they are attacked and Suk is critically wounded. Grimmer goes into a rage and
beats his assailants senseless. Tenma arrives on the scene and treats Suk and the other injured men. Grimmer reveals that he was at 511 Kinderheim and explains the origins of alter-ego, "The Magnificent Steiner", a weakling who transforms into a raging musclebound hero when threatened, but with no recollection of the events afterwards. 47"The Door to a Nightmare"
Transliteration: "Akumu no Tobira" (Japanese: 悪夢の扉)Kentarō NakamuraKazuyuki FudeyasuMarch 23, 2005 (2005-03-23)March 29, 2010 Nina and Dieter arrive in Prague, but she is shocked when residents call her "Anna" and she begins to recall memories form her childhood. Tenma and Grimmer finds that Suk has been removed from the hospital, and Captain Karel Ranke, a former top member of the StB proposes to release Suk to Tenma and Grimmer in exchange for the tape and research materials for a client in Germany. They refuse, however, Grimmer's suddenly remembers Adolf Reinhardt who was kind to him at 511 Kinderheim. While they do not reach an agreement, Ranke does mention that Franz Bonaparta was heavily involved in the care of the Liebert Twins. Bonaparta was also the author of a children's picture book "The
Nameless Monster", and was living at the "Red Rose Mansion". Meanwhile, Nina and Dieter find the apartment Nina shared with her twin brother and their mother, which triggers more of Nina's memories. 48"The Most Frightening Thing"
Transliteration: "Ichiban Kowaimono" (Japanese: 一番怖いもの)Yukihiro MiyamotoShingō NishikawaMarch 30, 2005 (2005-03-30)March 29, 2010 Nina is confused by her recent memories.
Here's what we said about Lupin Part 1LoadingPlay"Lupin manages to have fun even with an antiquated premise — the story of a suave con-man who charms his way through high-profile robberies — while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin. "While the season frequently breaks the promises of its cliffhangers, its narrative still feels
more incisive than Part 1. The show’s childhood flashbacks, previously deployed to fill scattered elements of Diop’s backstory, now portray episodic events from his early days as a teenage hustler (where he’s played with charm by the young Mamadou Haidara). These stories not only flesh-out his early relationships with ex-wife Claire (Ludivine Sagnier/ Ludmilla Makowski), best friend and accomplice Benjamin (Antoine Gouy/Adrian Valli De Villebonne), and former flame Juliette Pellegrini (Clotilde Hesme/Léa Bonneau), but they offer meaningful contrast with the current timeline, as both past and present see Diop navigating the consequences of his schemes, and their effects on the people around him. These people become much more important in Part 2. Previously, Diop’s father Babakar (Fargass Assandé) was the only character who felt like a living, breathing human being with a recognizable personality, and he was already long dead by the time the story began. This time around, every character extends beyond their mere plot function starting with Diop himself, who not only feels more debonair, but more conflicted, and brims with anger and intensity after being backed into a corner by familiar foes. The difference between the two seasons is quite stark in this regard. Even the most minor
characters leave lasting impressions, like Pellegrini’s scheming financial advisor Philippe Courbet (Stefan Crepon), who only features in a handful of scenes but has a mysterious, serpentine presence. While the season frequently breaks the promises of its cliffhangers, its narrative still feels more incisive than Part 1.
