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3Legacy 7Accolades 8Adaptations Toggle Adaptations subsection 8. 1Books 8. 2Live-action film 9See also 10Notes 11References 12External links Toggle the table of contents Your Name 59 languages العربيةAzərbaycancaবাংলাBân-lâm-gúБеларускаяБеларуская (тарашкевіца)Bikol CentralБългарскиCatalàCebuanoČeštinaDeutschEestiEspañolEsperantoEuskaraفارسیFrançaisGaeilgeGalego客家語/Hak-kâ-ngî한국어HawaiʻiՀայերենBahasa IndonesiaItalianoעבריתქართულიКыргызчаLatviešuMagyarBahasa Melayu閩東語 / Mìng-dĕ̤ng-ngṳ̄МонголNederlands日本語Norsk bokmålOʻzbekcha / ўзбекчаPolskiPortuguêsРусскийShqipSimple EnglishکوردیСрпски / srpskiSuomiSvenskaTagalogไทยТоҷикӣTürkçeУкраїнськаVahcuenghVepsän kel’Tiếng Việt文言吴语粵語中文 Edit links ArticleTalk English ReadEditView history Tools Tools move to sidebar hide Actions ReadEditView history General What links hereRelated changesUpload fileSpecial pagesPermanent linkPage informationCite this pageGet shortened URLDownload QR codeWikidata item Print/export Download as PDFPrintable version In other projects Wikimedia CommonsWikiquote From Wikipedia, the free encyclopedia 2016 Japanese animated film directed by Makoto Shinkai This article is about the film. For other uses, see Your Name (disambiguation). Your NameTheatrical release posterJapanese nameKanji君の名は。TranscriptionsRevised HepburnKimi no Na wa Directed byMakoto ShinkaiWritten byMakoto ShinkaiProduced by Kōichirō Itō Katsuhiro Takei Starring Ryunosuke Kamiki Mone Kamishiraishi CinematographyMakoto ShinkaiEdited byMakoto ShinkaiMusic byRadwimpsProduction
companyCoMix Wave FilmsDistributed byTohoRelease dates July 3, 2016 (2016-07-03) (Anime Expo) August 26, 2016 (2016-08-26) (Japan) Running time107 minutes[1]CountryJapanLanguageJapaneseBudget¥750 million[a]Box office$382. 2 million[3][4][5] Your Name (Japanese: 君の名は。, Hepburn: Kimi no Na wa), sometimes stylized as Your Name.

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Anime News Network. Archived from the original on May 3, 2019. Retrieved February 25, 2021. ^ 陰の実力者になりたくて! 01 (in Japanese). Kadokawa Shoten. Archived from the original on April 23, 2021. Retrieved April 23, 2021. ^ "The Eminence in Shadow, Vol. 2 (light novel)". Yen Press. Archived from the original on April 23, 2021. Nippon Television MusicNippon Television NetworkNIS America, Inc. Nishiki StudioNishinippon BroadcastingNitroplusNobelnobishiro labNomadNoovoNorth Stars PicturesNostalookNotesNOTTVNozomi EntertainmentNTT DocomoNTT PlalaNTV WandsNurNutNuTech DigitalNYAV PostOB PlanningObtain FutureOCCOctober MediaOddjobOdolttogiOffice AOOffice DCIOffice ENDLESSOffice No. 8Office NobuOffice Take OffOffice TakeOutOh! ProductionOkinawa Prefectural University of ArtsOkumazaOkuruto NoboruOLE-MOlive StudioOLMOLM DigitalOmnibus JapanOn The RunOn-LeadONEMUSICOngaqOnion StudioOnionskinONIROOpera HouseORADA COMPANYOrangeORCENOrchid SeedOrdetORENDAOriental Creative ColorOriginal DreamOriginal ForceOrixOsaka University of ArtsOtogi ProductionOTOIROOverlapOxybotOysterOZOz Inc. P coreP ProductionsP-Vine RecordsP. A. WorksP.

I also like the monochrome aesthetic, as it complements the atmosphere and designs of the show, especially when the animation kicks into high gear. It’s probably one of MAPPA’s more well-produced titles, even if nothing here is especially exciting.
That’s where most of the compliments end, as the writing leaves a lot to be desired. I like the idea they were going with. It would have been interesting to see how the episodic stories impact Dororo and especially Hyakkimaru in their journey to slay demons and regain the latter’s humanity and body parts, which were robbed from him at birth. Having their escapades intertwine with the story of a falling kingdom and a family whose secrets unravel as specific members learn of Hyakkimaru’s survival could have been exciting. An overarching narrative where the characters often deal with episodic occurrences is certainly nothing bad, nor anything groundbreaking. One-off episodes are a great way of allowing for action spectacles and powerful moments that could impact character arcs tremendously. They also allow for more diverse narratives and world-building. Series such as Ghost in the Shell: Stand Alone Complex, and Moribito are excellent examples of this. Dororo fails in all regards here, as most of the stories follow the exact same narrative beats and character archetypes, causing the side stories to lose any identity and worth by the second half.