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Diop, the son of working-class Senegalese immigrants, is looked upon
with far more suspicion than Arsène Lupin, even (and especially) when disguised as an aristocrat, while North African policeman Guedira — the modern equivalent of Leblanc’s Inspector Ganimard — doesn’t command the respect of his white peers the same way. The season’s first episode pits them against Pellegrini’s Black henchman Léonard (Adama Niane), and what ought to play out as a standard chase to save Diop’s son is imbued with surprising intensity, when all three men are forced to tiptoe around scornful onlookers in a small, mostly-Caucasian town not far from Étretat, where Part 1’s finale took place and where Leblanc himself once lived. Here's what we said about Lupin Part 1LoadingPlay"Lupin manages to have fun even with an antiquated premise — the story of a suave con-man who charms his way through high-profile robberies — while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin. "While the season frequently breaks the promises of its cliffhangers, its narrative still feels more
incisive than Part 1. The show’s childhood flashbacks, previously deployed to fill scattered elements of Diop’s backstory, now portray episodic events from his early days as a teenage hustler (where he’s played with charm by the young Mamadou Haidara). These stories not only flesh-out his early relationships with ex-wife Claire (Ludivine Sagnier/ Ludmilla Makowski), best friend and accomplice Benjamin (Antoine Gouy/Adrian Valli De Villebonne), and former flame Juliette Pellegrini (Clotilde Hesme/Léa Bonneau), but they offer meaningful contrast with the current timeline, as both past and present see Diop navigating the consequences of his schemes, and their effects on the
people around him. These people become much more important in Part 2. Previously, Diop’s father Babakar (Fargass Assandé) was the only character who felt like a living, breathing human being with a recognizable personality, and he was already long dead by the time the story began. This time around, every character extends beyond their mere plot function starting with Diop himself, who not only feels more debonair, but more conflicted, and brims with anger and intensity after being backed into a corner by familiar foes. The difference between the two seasons is quite stark in this regard.
Retrieved August 5, 2017. ^ "TV Tokyo's Iwata Discusses Anime's 'Road to Survival'". Anime News Network. Archived from the original on
September 28, 2013. Retrieved September 8, 2013.
cite web: CS1 maint: bot: original URL status unknown (link) ^ Colombo, Fausto (2005). Atlante della comunicazione: cinema, design, editoria, internet, moda, musica, pubblicità, radio, teatro, telefonia, televisione (in Italian). Hoepli Editore. p. 39. ISBN 978-88-203-3359-1.
8命運石之門8. 2約定的夢幻島8. 2藍色監獄7. 7東京喰種StorylineEditDid you knowEditConnectionsReferenced in Jeisutâzu bikutorî bâsasu (2014)User reviews118ReviewReviewFeatured review10/10 Inspiring!Wow. I really did not expect to fall down the rabbit hole that is Haikyuu!! I thought that the art style isn't one that I usually gravitate to but I was quickly won over by the story and characters. I loved all of the characters and their relationships and friendships with each other and it was
inspiring to see the underdog climb to the top, that even though it seems as if one is disadvantaged, they can still succeed through sheer willpower and by working together with like-minded passionate people. Honestly, watching this made me regret not taking volleyball seriously during PE in high school. helpful•182jasminn_tanJun 19, 2020Top picksSign in to
rate and Watchlist for personalized recommendationsSign inFAQ19How many seasons does Haikyu!! have?Powered by AlexaDetailsEditRelease dateApril 6, 2014 (Japan)Countries of originJapanPolandOfficial sitesOfficial siteOfficial site (Japan)LanguageJapaneseAlso known asHaikyu!!Production companiesMainichi Broadcasting System (MBS)Production I. G. Production I. G.
