zom 100 ep 10 date de sortie
Half a second before a train ends his pitiful life for good, Takemichi flashes back to that same day 12 years ago, when he was still dating Hinata Tachibana.
After being forced to relive the very same day that began his downward spiral, Takemichi meets Hinata's younger brother. Without thinking, he admits to his seeming death before flashing back to the past. Takemichi urges him to protect his sister before inexplicably returning to the future. Miraculously, he is not dead. Stranger still, the future has changed. It seems as though Takemichi can alter the flow of time. Given the chance to prevent his ex-girlfriend's tragic death at the hands of the Tokyo Manji Gang, Takemichi decides to fly through time to change the course of the future.
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More charactersCharacters & Voice Actors Sano,
Manjirou Main Hayashi, Yuu
Japanese Ryuuguuji, Ken Main Suzuki, Tatsuhisa
Japanese Hanagaki, Takemichi Main Shin, Yuuki
Japanese Matsuno, Chifuyu Supporting Karino, Shou
Japanese Baji, Keisuke Supporting Mizunaka, Masaaki
Japanese Mitsuya,
Takashi Supporting Matsuoka, Yoshitsugu
Japanese Hanemiya, Kazutora Supporting Toki, Shunichi
Japanese Hanma, Shuuji Supporting Eguchi, Takuya
Japanese Tachibana, Hinata Supporting Waki, Azumi
Japanese Kawata, Nahoya Supporting Kawanishi, Kengo
Japanese
More staff Staff Kamei, Hiroshi Producer Naya, Ryousuke Producer Furukawa, Shin Producer Itou, Hirofumi Producer
Edit Opening Theme Preview Spotify Apple Music Amazon Music Youtube Music "Cry Baby" by Official HiGE DANdism Edit Ending Theme 1: "Koko de Iki wo shite (ここで息をして)" by eill (eps 1-12) 2: "Tokyo Wonder.
"[43] He commented that even the stories and characters that had felt unrelated to the greater picture are "eventually drawn together by Johan's grand plan. "[44] Kimlinger deemed the art "invisible perfection," never "showy or superfluous," with panels laid out so well that it is easy to forget how much effort is put into
each and every page. [43] Though he did not find the characters' physical designs attractive,[45] he praised their expressiveness, writing that the characters "wear their personalities on their faces, communicating changes in their outlooks, psychology, inner thoughts and emotions with shifts in expression that range from barely perceptible to masks of rage, hate and fear. "[43] UK Anime Network gave the first volume a perfect score based on the engrossing story, but felt the artwork, while appealing, was not "groundbreaking". [46] On the other hand, Active Anime felt the art improved across the manga's serialization. [47] A. E. Sparrow of IGN described Monster as a "Hitchcock film set to manga" and felt its real strength comes from its huge cast of interesting characters, who each have "a unique story and history to relate". [48] Carlo Santos, also for Anime News Network, called Monster "a one-of-a-kind thriller" and suggests that one of the most overlooked qualities of it is that "amidst all the mystery and horror, there are moments of love and hope and all the good things
about humanity. "[49] Though she praised the manga for its "cinematically precise" art, never confusing the reader, and making each person visually distinct despite the large cast of characters,[50] Casey Brienza from the same website felt that too much time was spent developing minor characters "who are likely to be dead or forgotten just a few dozen pages later," and that the series' ending "went out with a whimper. "[50] Brienza noted that "there is nothing satisfactory ever revealed to fully account for [Johan's] supremely scrambled psyche," but concluded that as long as the reader does not look for "deep meanings or think too hard about whether or not it all makes sense in the end" they will enjoy it.
Shueisha. Archived
from the original on
April 7, 2016. Retrieved March 29, 2010. ^ One Pieceイラスト集/Color Walk/5/Shark (in Japanese). Shueisha. Archived from the original on April 7, 2016.