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[112][113][114] The following year it was published in France and ran in Ultra Jump, and in February 2012 was translated and released in North America by NBM Publishing. [115] From July 19 to August 18, 2019, the Tower Records store in Shibuya held an exhibit celebrating the finale of the fifth part of the series, Golden Wind, and to promote the release of two games, JoJo's Bizarre Adventure: Pitter Patter Pop! and JoJo's Bizarre Adventure: Last Survivor. [116][117] The exhibit showed various concept art pieces from the series' artists as well as scripts from the show. Visitors could receive free items such as stickers, folders, and cards upon completion of various tasks, such as answering a quiz or buying a certain amount of items. [118] Each floor of the Tower Records building had a character on display, as a cardboard cutout and on the elevator doors. On August 14, 2019, a panel was held with directors Hideya Takahashi and Yasuhiro Kimura, and producer Kasama.Shankar turned the opportunity down, saying it felt "250 percent wrong", as he had deep respect for the original game and felt the live-action version would not treat it well. [9] Following this, Shankar stepped back from Hollywood to pursue more self-published works, stating that "the major studios were blatantly disrespecting fandom" as a reason he turned down the offer. [9] The show was revitalized when Powerhouse Animation Studios's Sam Deats was able to negotiate a deal with Netflix for the production, using the existing scripts that had been written nearly a decade prior. Powerhouse reached out to Frederator to help with the show's production. [8] According to Ellis, Netflix was very positive about his original scripts that he wrote in 2007, and so he had to only make a few changes to fit the Netflix format while staying true to the version of the script Konami had accepted. [5] Shankar was approached with the opportunity to produce the work, which he took as neither Powerhouse or Frederator sought to restrict his creative vision from Ellis' scripts.
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