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At Fushū Castle, Boruto was suddenly detained, where the butler wished to see the process firsthand of how "Kirisaki" would stabilise the Hashirama Cell using Boruto. Konohamaru was able to stall while Boruto slipped away to retrieve the target as it was a shadow clone that was detained. Upon finding Sakuya's quarters, he found that she was murdered and the cell was gone. A group of quadruplet ninja revealed to have stolen the cell and framed Boruto for the murder while they retreated from the castle. As Boruto and Konohamaru joined up with Sarada and Mugino, everyone in the city began hunting them down, in hopes of getting a reward for their capture. Aided by Katara, the pair escaped to a base, where the shinobi met up with Mitsuki who had fully recovered.

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June 14, 2018. Archived from the original on June 18, 2018. Retrieved June 17, 2018. ^ "Frank Wildhorn Musical Death Note Has NYC Reading With Andy Kelso, Robert Cuccioli and Adrienne Warren Prior to Japanese Premiere". Playbill. April 17, 2014. Archived from the original on August 18, 2015. Retrieved April 16, 2015. ^ Gans, Andrew (May 24, 2023). ""Frank Wildhorn's Death Note: The Musical to Play 2 Concerts at London Palladium"". Playbill. Neowing. Archived from the original on November 10, 2013. Retrieved December 21, 2010. ^ "Fullmetal Alchemist Anime Profiles". Viz Media. Archived from the original on November 12, 2011. Retrieved September 27, 2011. ^ "TV Asahi Top 100 Anime". Anime News Network. September 23, 2005. Archived from the original on June 21, 2014.
Inoue has taken the powerful Musashi who was sometimes called a 'beast' and drawn him as a vagabond. The artist brags about boldly challenging the national literary work of Eiji Yoshikawa, even so, the sense of speed that he creates is impressive. I send my applause to the artist for creating a new image of Musashi". [40][41] The same year, the series won the 24th Kodansha Manga Award in the general category. [42] Vagabond also received the Grand Prize of the sixth Tezuka Osamu Cultural Prize in 2002, and the North American version earned Inoue a nomination for the 2003 Eisner Award in the Best Writer/Artist category. [17] Critical response[edit] In early releases of the manga, MangaLife found Musashi appealing for his quest of strength and Inoue's detailed artwork despite its slow pacing. [43] They find the early journey of Musashi impressive due to the emphasis on violence over his mental development and his connections with Matahachi. [44] The eventual release of the sixth volume received more acclaim from the Manga Life for further developing Musashi's bushido, his acceptance of his weak point and how Matahachi also kept appearing despite the two still not meeting. [45] The Fandom Post was drawn out by the writing of Inoue when reading the first manga volume, praising its large amount of content and whether or not Musashi is still capable of being a true warrior when interacting with the monk Takuan. [46] A similar comment was given by ComicBookBin with the reviewer claiming that his impression of Vagabond was so impressive that it reminded him of the comic book Batman: The Dark Knight Returns, praising the way Inoue portrays violence in a realistic fashion. [47] Another aspect praised by the same website was the lack of large amount of dialogue needed to describe the characters.