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As explained by OPBF champion Miyata, in every match
Ippo always steps forward and attacks head on while repeating the same attack patterns, a trait that an observant boxer can easily take advantage of. [76] Once Ippo became the JBC champion, this move defined him to the point that the name "Makunouchi Ippo" came to be synonymous with the Dempsey Roll, which, as Kamogawa affirmed, turned Ippo into a “cheese champion”, due to being full of holes as a
result of the overexposure of the technique. [135] Relying solely on the Dempsey Roll to win led him to progressively more dangerous matches as his opponents picked apart the technique’s weaknesses and found ways to neutralise it. [136] To give an example, it is stated by Kamogawa that Ippo's signature move was not only a strength, but also a weakness, since the Dempsey Roll is weak against counters. [137] This stylistic disadvantage compelled the Kamogawa gym to avoid the long-awaited match between Ippo and Miyata, as it was seen as a hopeless endeavour. [138][139] The drawback was eventually exploited by the counter-puncher Sawamura, who challenged Ippo for the JBC title. [140][141] Most importantly, as noticed by Ippo, the passive procedure of waiting for the opponent to throw a punch before closing in resulted in him losing the initiative and forgoing the use of his left to claim the first strike, as is noticeable by the gradual neglect and eventual discardment of his jabbing. [142][143] This was a direct contradiction to the style Kamogawa originally envisioned for Ippo, which revolved around “hitting before being hit”. [144] Prior to his first performance on the world stage, Ippo's one-dimensional style was
described by Eiji Date as too simplistic for the world level. [145] This idea was reinforced in the
night of the fight by Ippo's opponent, Alfredo González, who judged his boxing as outdated and technically unremarkable. [146][147] Despite all of the complications the Dempsey Roll would bring, this was thought of by Kamogawa as a necessary evil, a sacrifice in order to achieve victory.
Following an intense fight with Gabimaru and Sagiri, Rokurota gets beheaded by the latter.
Yamada Asaemon[edit] The Yamada Asaemon (山田浅ェ門) is a prestigious
swordsmen dojo in Edo. They train sword testers to become fully-fledged executioners for the Shogunate. Once fully trained, each swordsman has their name preceded by the title "Yamada Asaemon. " Tōma (桐馬) Voiced by: Kensho Ono[4] (Japanese); Matt Shipman[5] (English) Portrayed by: Rui Tabuchi[6] The executioner assigned to Chōbei. He infiltrated the Yamada Asaemon in order to free Chōbei, who is his older brother.
Metacritic. Archived from the original on 26 December 2017. Retrieved 14
July 2018. ^ "Danganronpa 1-2 Reload Reviews". Metacritic. Retrieved 7 February 2018. ^ a b "Danganronpa". Japan Game Sales Database. Archived from the original on 7
November 2018. Retrieved 6 November 2018. ^ Matthew Jarvis (29 April 2015).