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However, once its dramatic questions are clarified, the show falls back into its rhythm of entertaining action peppered with social commentary, largely born from placing non-white characters in traditionally white settings, like those of Maurice Leblanc’s original novels. Diop, the son of working-class Senegalese immigrants, is looked upon with far more suspicion than Arsène Lupin, even (and especially) when disguised as an aristocrat, while North African policeman Guedira — the modern equivalent of Leblanc’s Inspector Ganimard — doesn’t command the respect of his white peers the same way. The season’s first episode pits them against Pellegrini’s Black henchman Léonard (Adama Niane), and what ought to play out as a standard chase to save Diop’s son is imbued with surprising intensity, when all three men are forced to tiptoe around scornful onlookers in a small, mostly-Caucasian town not far from Étretat, where Part 1’s finale took place and where Leblanc himself once lived. Here's what we said about Lupin Part 1LoadingPlay"Lupin manages to have fun even with an antiquated premise — the story of a suave con-man who charms his way through high-profile robberies — while adding just enough new spin on the concept to feel refreshing. Omar Sy may not have much to work with, but his alluring presence makes Assane Diop feel like a worthy successor to Arsène Lupin. "While the season frequently breaks the promises of its cliffhangers, its narrative still feels more incisive than Part 1.
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