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Generally, his artstyle is more cartoony/surreal than anything else. Fujiko Fujio's art (both together and apart as Fujiko F and Fujiko A) tends to retain the exaggerated features, clean lines, and button-nose cuteness of western children's cartoons. This even extends to works aimed at the adult crowd (such as Laughing Salesman), but they're still seen as one of the landmark examples of manga's influence on Japan. Pingu In The City, a Japanese-made reboot of Pingu is animated entirely in 3D and rendered in a way to emulate the stop-motion look of the original series, but uses some anime tropes such as a slower frame rate in some scenes and the characters do make the odd face faults. Anime & Manga The '70s and '80s saw many mangas inspired by contemporary American and European media, some even set in America. Space Adventure Cobra is like Barbarella meets Eagle Land, and Mad Bull 34 is Eagle Land incarnate. Given its nature as a multi-vignette show for a young audience, Folktales From Japan features a wide variety of animation designs, most of which cartoony in nature and several in particular rather western. Very rarely does it actually look like anime. JoJo's Bizarre Adventure is heavily influenced by American comics. While not specifically western (indeed, it more closely resembles Chinese/Korean animation in aesthetics), One Stormy Night is still much closer to your average western animated feature than traditional anime. Bambi and Her Pink Gun is so visually influenced by the aesthetics of American comics that only the onomatopoeia give it away as an original Japanese creation.

^ Ashcraft, Brian (September 21, 2016). "A Serious Look at Big Anime Eyes". Kotaku. Retrieved January 4, 2020. ^ Brzeski, Patrick (May 16, 2022). "How Japanese Anime Became the World's Most Bankable Genre". The Hollywood Reporter. Archived from the original on December 6, 2022. ^ Napier, Susan J. (2016). Anime from Akira to Howl's Moving Castle: Experiencing Contemporary Japanese Animation.

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[86] Reviewing the first few episodes, Anime News Network (ANN)'s Theron Martin described the second episode as "the funniest episode of anime I have seen since Monthly Girls' Nozaki-kun aired", while also praising the series' musical score. [87] The voice acting has also been a subject of praise; Nick Creamer of ANN commended Sora Amamiya and Rie Takahashi's roles as Aqua and Megumin for the energy provided in their performances,[88] while Martin applauded Jun Fukushima for his work in voicing Kazuma, considering his dry tone an additional factor in the show's humor. [89] From the Legend of Crimson's release in Japan, Daryl Harding, writing for Crunchyroll News praised the story and comedy of the film noting that the "classic humor of (the TV series) translates well to a film runtime. " Daryl Harding did criticise the film by stating that "It doesn't look too different than the TV series" even with "more effects placed over the animation during scenes of explosive magic. "[90] In contrast, a common criticism of the anime was its inconsistent character animation, one that was described as "low budget" as characters appeared off-model. [86] Koichi Kikuta responded by stating such design was intentional, hoping to "bring out the individuality of each character" rather than the prettier artwork in the light novels; to do this, Kikuta's animation displayed "their more human sides, like their unflattering traits and their distressed moments. "[36] Crunchyroll's Kim Morrissy considered the animation to be humorous, especially fitting in a comedic anime. [86] Kotaku writer Richard Eisenbeis explained much of the series' humor derives from the deconstruction of Kazuma's hopes of becoming the hero of a fantasy world, instead realizing he is forced to struggle his way through the world. [85] Comparing Kazuma's problems in a fantasy world to those in real life, Creamer wrote about a sense of relatability between the series' protagonists and the audience, as the party deals with issues like debt and taking questionable jobs because of high pay. On a critical note, Creamer disapproved of Kazuma's negative attitude, which he felt harmed the comedy in the series. [88] KonoSuba's characters, especially those in Kazuma's party, have garnered favorable reactions in the anime community. After Takamura claimed to be able to see out of it and Ippo tested him by having him read out words from a magazine with only his right eye, Ippo was relieved that his suspicions were false. When Takamura was challenging Yagi in a fishing match, Ippo, Aoki, Kimura, and Itagaki went to the Fishing Hole Paradise to cheer for Takamura. When they got there, however, the two fishers had left and the group noticed that there was a sign that permitted Takamura and Yagi from entering the fishing hole. They rush back to the gym and were shocked to learn that the fishing match ended in a draw. Ippo later watched Itagaki win the quarter-finals of the East Japan Rookie King Tournament. Ippo encouraged Itagaki afterwards to become the Rookie King after two more matches. Ippo gets an autograph from Eagle. The champion David Eagle arrived to Japan and hosted a public sparring session at the Kawahara gym. Ippo went with Kamogawa and Yagi there to gather information for Takamura, though, Kamogawa assumed that he went along to see Miyata. There, Eagle was hosting an autograph session, which Ippo went over and received an autograph. Ippo saw Miyata, who explained the reasoning as to why Eagle was doing autographs, with him also having one.