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Ippo and Sisphar had a dual exchange, which hurt Ippo the worse. As Ippo was sliding down at the corner from the damage of the dual exchange, Sisphar was about to land another punch. However, the gong ending the second round sounded and Ippo's impending fall was saved due to Yagi's timely arrival of the chair catching his fall. Ippo noticed how he stopped Sisphar's charging after the dual exchange and believed that dual exchanges are the only option, which Kamogawa agreed. Ippo knocking out Sisphar with an uppercut from his Dempsey Roll. In the third round, Ippo and Sisphar have dual exchanges and exchanges at the centre of the ring, with Ippo throwing his punches differently to that of the Jolt Blow, which damaged Sisphar more than Ippo's usual punches. After the third round, Ippo was instructed by Kamogawa to use uppercuts rather than left and right hooks like Sisphar in order to change the rhythm. In the fourth round, after a lengthy exchange session between the two, Ippo attempted to throw an uppercut after a hook, however, Ippo brought his body up too soon and the two boxers' foreheads collided, causing severe bleeding above their eyes. Sisphar's experience of fighting in situations like so made Ippo get hit while being unable to hit back due to his vision being affected by the blood. Ippo was launched back by an attack and saw something in the lights on the ceiling. Ippo motioned the Dempsey Roll and, instead of a constant figure-8 motion, Ippo moved his body up from below, aiming for Kamogawa's mitt in the ceiling's light, landing an uppercut on Sisphar.

[9] When first producing YuYu Hakusho, he did not have a clear idea of what he wanted to call it. He used the tentative title "How to be a Ghost" while presenting rough drafts to his editors. Once given the go-ahead to begin publication, Togashi proposed "YuYu-Ki" (Poltergeist Chronicles) for the title, as there would be battles with demons and it would be a play on the title SaiYu-Ki. However, a series with a similar name (Chin-Yu-Ki) had already begun publication, so Togashi quickly created an alternative: "YuYu Hakusho" (Poltergeist Report). [10] He commented that he could have used "Den" (Legend) or "Monogatari" (Story), but "Hakusho" (Report) was the first thing that came to his mind. [11] He contiguously developed the names of the main characters by skimming through a dictionary and taking out kanji characters he found appealing. "Yusuke Urameshi" is a pun, "Kazuma Kuwabara" is a combination of two professional baseball players, and "Hiei" and "Kurama" are "just names that popped into [Togashi's] head. "[8] When he introduced the latter two characters in volume three, the author had early plans to make Kurama a main character but was not certain about Hiei. [7][8] The manga's shift from occult detective fiction to the martial arts genre after Yusuke's death and revival in the early chapters was planned by Togashi from the beginning. [8] He took this idea from the series Kinnikuman, which began largely as a comedy before concentrating more on action. [7] Togashi's intention was to establish the main characters and familiarize the reader with them before placing them in tense, physical conflicts.

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“Chef’s Table France”Genre: Cooking documentaryThis show is probably the classiest cooking show on Netflix. The American version was great, but as with most things food-related, the French take it up another notch, celebrating the culinary genius of renowned French chefs—each episode features one person. The cinematography is outstanding, which helps the stories resonate. It’s also quite beautiful to watch France though this lush camera work. The one thing I always take away from this show is how much passion and dedication you need in order to become a world-renowned chef. It’s truly impressive. 13. “The Parisian Agency”Genre: Real estate realityIf you like shows about real estate and want to have a look inside some of Paris’s most luxurious properties, this is the show for you. It follows a group of real estate agents as they work with sometimes impossibly demanding high-end clients. The drama never seems to end when you’re working with billionaire house hunters, so this show is never not entertaining. And like I said, maybe the best part of the show is getting to see inside all those historical Parisian houses—I can only dream of living in them, but it’s fun anyway. 09. 5%Une jeune salope s'assoit sur la meilleure bite qu'elle ait jamais vue10:15392. 3%Samantha Bentley et Tiffany Doll avec un gode partagé12:00191. 7%Un mec sexy et une scène de baise avec une brune23:26292%Une interview obscène et la masturbation en solo13:00591. 3%Jade et Ivy : un moment de sexe lesbien spécial19:4691. 7%Deux femmes lesbiennes une piscine du plaisir pour tous08:5491.