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[11] Watanabe had been a fan of hip hop music from his high school years, citing his first exposure as "The Message" by Grandmaster Flash and the Furious Five. He compared the samurai culture to hip hop through a similar philosophy of self-identity. [12] The use of hip hop also reinforced the series' focus on its minority and counter-cultural cast, creating a cultural reference by using one with the other. [13] Alongside his liking of hip hop, Watanabe attributed a large amount of the series' inspiration in the works of actor Shintaro Katsu, particularly his historical dramas. The narrative approach of the finished series was inspired by Katsu's notorious habit of directing projects without a set story structure. [5] The word "Champloo" in the title was derived from the Okinawan term chanpurū, with Watanabe comparing the blending of elements in the anime with the meaning of chanpurū. [14] The food depicted in the show was originally accurated to the Edo period, but eventually expanded to include anachronistic dishes such as okonomiyaki. [5] The plot is structured like a road movie, with little connection between stories until the final three-part arc, contrasting against the serial structure of its contemporaries. [8] Watanabe particularly cited the movies about the blind samurai Zatoichi as an inspiration for this style. Other influences on the series included Enter the Dragon and Dirty Harry. One episode was based around the Chinese concept of Qi.

Anime News Network. February 20, 2013. Archived from the original on April 7, 2023. ^ "Girls Und Panzer festival". Ōarai Town Tourism Association. April 4, 2013. Archived from the original on April 30, 2013. Retrieved April 14, 2013. ^ a b Loo, Egan (November 18, 2013). "Girls & Panzer Helps Ōarai Anglerfish Festival Draw Record 100,000". Anime News Network.

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[19] In contrast to And Yet the Town Moves, Heavenly Delusion employs a darker tone, most specifically the delusions children have. One of the children, Tokio, lives in a mysterious facility. She likes fantasy paintings drawn by her friend Kona and collects them. Kona can imagine things that he had never seen before. It overlaps with Ishiguro's statement that he is drawing delusions. At the end of the first volume, many of the plot threads have been laid out but in order to maintain the mystery theme, a few events are directly foreshadowed. [20] Themes[edit] When he started writing the series, Ishiguro felt a certain discomfort about what was happening in Japan. It seemed to be around 2017–2018 when Japan was looking for flaws in its governance in the run-up to the 2020 Summer Olympics. He experienced déjà vu because of the scandal with the empty New Year's food. At that time, there were earthquakes and tsunamis that stripped people of all their habits. Sensing an ominous similarity between that time and present, he wanted to convey the sense of threat that society increasingly felt. FormatDate(vm. Chapters[vm. Chapters. length-1]. Date) Clear History Confirm Clear Read History Related Manga: (vm. Comments. length + vm. ReplyCount) | number:0 Comment(vm. Comments. length + vm. ReplyCount) == 1 ? '' : 's' Submit Comment.