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[7] The story concludes in the film adaptation Conqueror of Shamballa, in which Edward's search attracts the attention of the
Thule Society, which seeks to enter his homeworld—believing it to be Shamballa—to obtain new weapons to help them in World War II. Dietlinde Eckhart, a member of the Thule Society, enters the other world and tries to destroy Amestris. She is defeated by the Elric brothers, who decide to stay in Germany. Production[edit] During the development of the Fullmetal Alchemist anime, Arakawa allowed Bones to work independently from her, and requested they produce an original ending different from that of the then ongoing manga. She did not want to repeat the same ending in both media, and wanted to continue writing the manga to develop the characters at her own pace. When watching the anime's ending, Arakawa stated that she was amazed about how different the homunculi creatures were from her manga and enjoyed how the staff speculated about the origins of the villains. [4] Although she was not fully involved in all aspects of the 2003 series, she was directly involved in the
production of it at a storywise standpoint, and as shown in the extras of Volume 8 of the manga. She helped the anime's development team with consultation for the characters and telling the overall story she had planned for her manga, helping them fill in some of the gaps to create the anime original ending of the 2003 series. Because Arakawa was involved in the development of the anime, she was kept from focusing on the manga's cover illustrations and had little time to illustrate them. [8] Broadcast and release[edit] Main article: List of Fullmetal Alchemist episodes The animation studio Bones adapted the manga into a 51-episode anime series. It was directed by Seiji Mizushima,
written by Shō Aikawa and co-produced by Bones,
Mainichi Broadcasting System and Aniplex.
[104] Publisher studies[edit] The first magazine to study the demographics of its readers was Yuri Shimai (2003–2004), who estimated the proportion of women at almost 70%, and that the majority of them were either teenagers or women in their thirties who were already interested in shōjo and yaoi manga. [105] In 2008, Ichijinsha made a demographic study for its two magazines Comic Yuri
Hime and Comic Yuri Hime S, the first being targeted to women, the second to men. The study reveals that women accounted for 73% of Comic Yuri Hime readership, while in Comic Yuri Hime S, men accounted for 62%. The publisher noted, however, that readers of the latter magazine also tended to read the first, which led to their merger in 2010. [80] Regarding the age of women for Comic Yuri Hime, 27% of them were under 20 years old, 27% were between 20 and 24 years old, 23% were between 25 and 29 years old, and 23% over 30 years old. [105] As of 2017, the ratio between men and women is said to
have shifted to about 6:4, thanks in part to the Comic Yuri Hime S merge and the mostly male readership YuruYuri brought with it.
Archived from the original on
January 10, 2008. ^ Macdonald, Christopher (October 13, 2006). "Japan's Favorite TV Anime". Anime News Network. Archived from the original on July 24, 2014. Retrieved September 27, 2012.