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Retrieved May 16, 2021. ^ Masuda, Hiromichi (February 25, 2021). 『鬼滅』『呪術』の次は『チェンソーマン』だ! ジャンプ史上最もアブないダーク・ファンタジーをアニメ化する
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[46] During the production of the series, he became interested in mental illness and psychology. [52] According to him, Rei is a schizophrenic character[78] and a representation of Shinji's unconscious,[72] while Shinji has an Oedipus complex[79][80][81] and is characterized by a libido-destrudo conflict. [82] Similarly, Ritsuko has an Electra complex, in which she loves Gendo, a sort of substitute for her father figure. [83] Anno himself stated that he identifies with Shinji in both a conscious and unconscious manner,[84] while Rei is Anno's "deepest part" and Kaworu his Jungian shadow. [85] Shinji's entering into Unit-01 has been interpreted as a Freudian "return to the womb", and his struggle to be free of the Eva as his "rite of passage" into manhood. [86] The series also contains references to philosophical and psychoanalytic concepts, such as the oral stage, introjection, oral personality, ambivalence,[87] and the death drive,[88] including elements of the works of Sigmund Freud,[89][90] Arthur Schopenhauer,[91][92] and Søren Kierkegaard. [93] Related media[edit] Main article: Neon Genesis Evangelion (franchise) Films[edit] Main article: List of Neon Genesis Evangelion movies In May 1996, Gainax announced an Evangelion film[94] in response to fan dissatisfaction with the series finale. [61] On March 15, 1997, Gainax released Neon Genesis Evangelion: Death & Rebirth, consisting of 60 minutes of clips taken from the first 24 episodes of the series and the first 30 minutes of the new ending due to production issues. [95] The second film, The End of Evangelion, which premiered on July 19, 1997, provided the complete new ending as a retelling of the final two episodes of the television series. Rather than depicting the series' climax within the characters' minds, the film provides a more conventional, action-based resolution to the series' plot lines. The film won numerous awards[96][97] and grossed ¥1. Archived from the original on May 12, 2020. Retrieved May 8, 2020. External links Official website (in Japanese) Demon Slayer: Kimetsu no Yaiba official manga website at Weekly Shōnen Jump (in Japanese) Demon Slayer: Kimetsu no Yaiba official manga English website at Viz Media Demon Slayer: Kimetsu no Yaiba (manga) at Anime News Network's encyclopedia vteDemon Slayer: Kimetsu no Yaiba by Koyoharu GotougeMediaManga Chapters Anime Episodes Season 1 2 3 Films Mugen Train Swordsmith Village Hashira Training Video games The Hinokami Chronicles Characters Tanjiro Kamado Nezuko Kamado Music "Gurenge" "Kamado Tanjiro no Uta" "Homura" "Akeboshi" "Kizuna no Kiseki" "Koi Kogare" Related Koyoharu Gotouge Before Demon Slayer: Kimetsu no Yaiba vteWeekly Shōnen Jump: 2010–20192010 Oumagadoki Zoo Enigma 2011 Magico St&rs Nisekoi 2012 Haikyu!! 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(2016) Fusako Kuramochi for Hana ni Somu (2017) Satoru Noda for Golden Kamuy (2018) Shinobu Arima for Jitterbug The Forties (2019) 2020s Kan Takahama for Nyx no Lantern (2020) Kazumi Yamashita for Land (2021) Uoto for Orb: On the Movements of the Earth (2022) Kiwa Irie for Yuria-sensei no Akai Ito (2023) SpecialAward1990s Toshio Naiki (1997) Shotaro Ishinomori (1998) Fusanosuke Natsume (1999) 2000s Frederik L. Schodt (2000) Akira Maruyuma (2001) Shigeru Mizuki (2003) Tarō Minamoto (2004) Kawasaki City Museum (2005) Kousei Ono (2006) International Institute for Children's Literature, Osaka Prefecture (2008) 2010s Yoshihiro Yonezawa (2010) Weekly Shōnen Jump (2012) Fujiko Fujio (A) (2014) Chikako Mitsuhashi for Chiisana Koi no Monogatari (2015) Kyoto International Manga Museum (2016) Osamu Akimoto for Kochira Katsushika-ku Kameari Kōen-mae Hashutsujo (2017) Tetsuya Chiba for Ashita no Joe (2018) Takao Saito for Golgo 13 (2019) 2020s Machiko Hasegawa for Sazae-san (2020) Koyoharu Gotouge for Demon Slayer: Kimetsu no Yaiba (2021) Kazuo Umezu for Zoku Shingo: Chiisana Robot Shingo Bijutsukan (2023) Award for
Excellence Moto Hagio for A Cruel God Reigns (1997) Yūji Aoki for Naniwa Kin'yūdō (1998) Akira Sasō for Shindō (1999) Minetarō Mochizuki for Dragon Head (2000) Kotobuki Shiriagari for Yajikita in Deep (2001) Kentaro Miura for Berserk (2002) Creative
Award Yumi Hotta and Takeshi Obata for Hikaru no Go (2003) Takashi Morimoto for Naniwadora ihon (2004) Fumiyo Kōno for Town of Evening Calm, Country of Cherry Blossoms (2005) Asa Higuchi for Big Windup! (2006) Nobuhisa Nozoe, Kazuhisa Iwata and Kyojin Ōnishi for Shinsei Kigeki (2007) Toranosuke Shimada for Träumerei (2008) New Artist
Prize Suehiro Maruo for The Strange Tale of Panorama Island (2009) Haruko Ichikawa for Mushi to Uta (2010) Hiromu Arakawa for Fullmetal Alchemist (2011) Yu Itō for Shut Hell (2012) Miki Yamamoto for Sunny Sunny Ann! (2013) Machiko Kyō for Mitsuami no Kami-sama (2014) Yoshitoki Ōima for A Silent Voice (2015) Yuki Andō for Machida-kun no Sekai (2016) Haruko Kumota for Descending Stories: Showa Genroku Rakugo Shinju (2017) Paru Itagaki for Beastars (2018) Sansuke Yamada for Areyo Hoshikuzu (2019) Rettō Tajima for Mizu wa Umi ni Mukatte Nagareru (2020) Kanehito Yamada and Tsukasa Abe for Frieren (2021) Natsuko Taniguchi for Kyōshitsu no Katasumi de Seishun wa Hajimaru and Konya Sukiyaki da yo (2022) Ganpu for Danchōtei Nichijō (2023) Short Story
Award Hisaichi Ishii for Gendai Shisō no Sōnanshātachi (2003) Risu Akizuki for OL Shinkaron (2004) Rieko Saibara for Jōkyō Monogatari and Mainichi Kaasan (2005) Risa Itō for One Woman, Two Cats, Hey Pitan!, Onna no Mado (2006) Hiromi Morishita for Ōsaka Hamlet (2007) Yumiko Ōshima for Cher Gou-Gou.
Ragna learned how when he started his revenge in the future, he threw himself in battle and nearly died many times, continued to survive and repeated it over and over. Initially he always lost but slowly his victories started to accumulate until he always won. He continued for 10 years until his silver sword started to fuse with him, but he ignored it as it didn't interfere with his hunting even though the pain was excruciating; 5 years later the sword completely fused with him, making his very flesh a weapon that exuded silver aura; 3 years after that, Ragna would learned how to amplify his body's aura; and 4 years later, he learned how to freely manipulate the silver aura on his own. During this period, Ragna went above and beyond the limits of a human and, after another 10 years of training, would master the ultimate dragon slaying technique, the "Silverine Battle Arts". Ragna approached the superior dragon Grymwelte, who was going to kill Leonica. Grymwelte was trembling by his presence and tried to use his full magic power to kill him but he was shattered in pieces in one instant by him. Ragna, still having the terrible memories of his future, saw Leonica was still alive and cried of joy until he fell asleep between her arms. [1] Ragna woke up from a nightmare and found he was sleeping in a bed with Leonica, when he saw she was still alive he felt emotional again. Shortly after Sykes entered the room and explained him they were in his mansion and only because their inn was burned down and Leo asked him. Sykes then explained the actual situation, all the remaining dragons flew away after the superior dragon death, but half of the city was already destroyed, and the dead are countless, so he asked Ragna on what to do now and he replied they should leave the country because the Dragon God declared the end of the kingdom, so they won't be followed beyond the border. Sykes was shocked by his reply and questioned him if he was really the Ragna he knew, but before he could answer Leo woke up; Ragna, seeing her alive and moving, cried until he fell asleep again.