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Men and Little Miss Show) has Little Miss Slippery, who is drawn this way as well. Later on, Little Miss Wacky and Little Miss Camouflage, who are also drawn this way, were added into the series. In all the fan series by this author, the style is referred to as "Animeniesque", which is pronounced similar to (and is possibly also a reference to) Animaniacs. Films — Animation Manga, anime, and bad dubbing are affectionately parodied in Horton Hears a Who! (2008) while Horton, an elephant, imagines he's a heroic ninja capable of performing feats of incredible athleticism and techniques such as an enormous pink beam attack from his hands, while his sidekick Morton the mouse and the clover (which is simply home to the microscopic Whoville and its mayor who communicates with Horton) become a floating Mentor Mascot and a talking flower respectively. The result looks a lot like Teen Titans, and it is about as sudden and abrupt as it sounds. Films — Live-Action Spoofed in Super Troopers with the really cheap-looking "Afghanistanimation" cartoons produced by the Taliban.
But forget about our cast of miserable non-characters for just a minute and let it sink in how stupid this is purely from a plot perspective. For example, in one episode they’re playing a game where they get to anonymously expose awful things about one another, and the live audience moves each of them closer toward final condemnation by voting for who they hate as they grow to dislike each of the characters based on what’s revealed about them. At one point, they enter a gambit where one character is presented with an opportunity to nominate another character to have something horrendous revealed about them by the showrunners. In other words, it’s not just some gossip being revealed by another character, but rather a piece of damning information which the organizers of the Tomodachi Game themselves have privately investigated with whatever resources they have at their disposal, implying, “Your friends may know some dirty shit about you, but we know EVERYTHING about you, including your deepest, darkest, most well-kept secrets. ” Immediately after this gambit is resolved, someone gives a fake piece of information about the person who was JUST EXPOSED in the gambit, that person insists the information is false, and Manabu, the hideous CG Front Man, says, “lol how do we know that’s fake information? Prove it, retard. ” AS IF HE DIDN’T JUST IMPLY THE PREVIOUS GAMBIT WOULD’VE ALREADY REVEALED HIS DARKEST SECRET! Every reveal is completely dependent on wherever God Yuichi is in whatever master plan he happens to be engaged in at any given moment, and if that means even the almightily showrunners themselves have to look surprised or incompetent, then so be it. Every character is made to be fooled, every rule is made to be broken, and everything is made to bend to God Yuichi’s sadistic, malicious will. There can only be one true edgelord to rule them all.
Then there’s the themes, which are not only pathetic, but also, perhaps unintentionally, weird and off-putting. Occasionally, one of the showrunners pretentiously applies a generic observation of human behavior onto some event which is only broadly relevant. Anyone who’s gone outdoors for three seconds of their fucking life and has interacted with humans for at least one of those seconds could conjure up similar commentary.